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Quote by Garima Soni - words world

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Garima Soni - words world

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“When I was with him, I felt like a book worth reading all the way through again and again and again. Sure, he liked my cover. I wanted him to, but I wanted him to like everything else too. I imagined him buying the book, studying it, quoting it, memorizing his favorite parts. He’d keep it with him always, like a Bible, hold it sacred even when the cover fell off and the book became bent with age and use. Maybe, he’d be buried with it. That’s all I wanted.”

“There are a lot of conventions, a vocabulary and a set of practices and assumptions that underlie most professional book design. Since design is important to the eventual success of your book whether you attempt to do it yourself or hire it out, it pays to know something about those conventions and assumptions. After all, we don’t want anything getting in the way of your communication with your readers. You’ve got a message for them, a story to tell, or ideas to spread. That’s what’s important.”

“Just being near all these beautiful books reminds me of the feeling I get when I'm in front of a blank canvas holding a palette filled smears of colorful paint. I run my fingers across the smooth paper jackets of the spines, sinking into daydreams of the worlds and characters hidden between the covers, until I stop at Spin the Dawn, one of my absolute favorites, with one of the most gorgeous covers I've ever seen.”

“The more I think about it, the more I am convinced that a cover is a sort of translation, that is, an interpretation of my words in another language- a visual one. It represents the text, but it isn't part of it. It can't be too literal. It has to have its own take on the book. Like a translation, a cover can be faithful to the book, or it can be misleading.”