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Quote by Matshona Dhliwayo

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Matshona Dhliwayo

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“The attendant looked at Camilo, looked at Link, blandly, incuriously. Link thought, In New York all the black boys who go in for what they like to call Caddies also go in for white girls. So this is old hat to him. He figures that if I'm rich enough--numbers or women or rackets of one kind or another--to drive one of these crates, then almost any good-looking white girl is going to find me acceptable. Money transforms the black male. Makes him beautiful in the eyes of the white female. Black and comely. No. It was black but comely, take it for granted that blackness and comeliness were not only possible but went hand in hand.”

RelationshipsWealthMoneyAfrican AmericansBlacksWhitesBlack MenWhite Women
Book:The Narrows
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“Works of art in earlier tradition celebrated wealth. But wealth was then a symbol of a fixed social or divine order. Oil painting celebrated a new kind of wealth - which was dynamic and which found its only sanction in the supreme buying power of money. Thus painting itself had to be able to demonstrate the desirability of what can be bought lies in its intangibility, in how it will reward touch, the hand, of the owner.”

WealthOil Painting
Book:Ways of Seeing
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“And so how does Um-Helat exist? How can such a city possibly survive, let alone thrive? Wealthy with no poor, advanced with no war, a beautiful place where all souls know themselves beautiful . . . It cannot be, you say. Utopia? How banal. It’s a fairy tale, a thought exercise. Crabs in a barrel, dog-eat-dog, oppression Olympics—it would not last, you insist. It could never be in the first place. Racism is natural, so natural that we will call it “tribalism” to insinuate that everyone does it. Sexism is natural and homophobia is natural and religious intolerance is natural and greed is natural and cruelty is natural and savagery and fear and and and . . . and. “Impossible!” you hiss, your fists slowly clenching at your sides. “How dare you. What have these people done to make you believe such lies? What are you doing to me, to suggest that it is possible? How dare you. How dare you.” Oh, friend! I fear I have offended. My apologies. Yet . . . how else can I convey Um-Helat to you, when even the thought of a happy, just society raises your ire so? Though I confess I am puzzled as to why you are so angry. It’s almost as if you feel threatened by the very idea of equality. Almost as if some part of you needs to be angry. Needs unhappiness and injustice. But . . . do you? Do you?”

WealthBeautyRacismInjusticeEqualityUnhappinessIntoleranceUtopiaHomophobia
Book:How Long 'til Black Future Month?
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