“Making African American films are hard in Hollywood. We need to rely on a support network and bring more cohesion to different filmmakers, actors, producers etc. It's a very difficult business. There aren't a lot of Africans Americans or people of color in high positions in Hollywood that we can green-light films.” PeopleNeedsDifferentHardLightFilmActorsDifficultSupportPositionColorHollywoodGreenProducersAfrican AmericanFilmmakerRelyEtcCohesionAmerican FilmGreen Lights Author:Paula Patton
“As an ambiguously non-white actor, I've been able to play light-skinned African American guys, Latinos, and I don't think that I've ever had to play some kind of ethnic stereotype or something that was typed specifically for a person of color.” ThinkingKindPersonsPlayLightAbleGuyActorsWhiteColorAfrican AmericanStereotypeLatinoAmerican GuysEthnic Stereotypes Author:Daniel Sunjata
“In the next couple of years, part of every film's process is going to be to adjust the images. And it'll be to change the color of an actor's tie or change the little smirky thing he's doing with his mouth. Or you can put in more clouds or move the tree a little bit.” YearsLittlesFilmMovingNextActorsBitsProcessTreeColorCoupleLittle BitMouthsCloudsTies Author:Robert Zemeckis
“As an actor, you're a color of paint on someone else's palette. But as a director, it's your canvas and you make the painting you want to make.” WantActorsColorPaintingDirectorsPaintCanvasPalette Author:Denzel Washington
“For so many years, I've been an actor acting in other people's movies, and in 'Unstoppable,' I'm producing it, and I have an opportunity to create some of that excitement with style and form and different color templates and things like that. So, as an artist, it's really exciting.” PeopleYearsDifferentFormArtistActorsOpportunityActingStyleColorExcitingExcitementUnstoppableDifferent Colors Author:Kirk Cameron
“Our job as actors, especially in front of a camera, is almost like textile artists. We spend so much time getting the right texture of yarn, and working out the color scheme, and binding off the weave, and making it just right.” JobsArtistActorsFrontsColorCamerasWork OutSchemesTextureBindingYarnTextiles Author:Anthony Heald