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Air Quotes

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Air Quotes

“And pomp, and feast, and revelry, With mask, and antique pageantry, Such sights as youthful poets dream On summer eves by haunted stream. Then to the well-trod stage anon, If Jonson's learned sock be on, Or sweetest Shakespeare, Fancy's child, Warble his native wood-notes wild, And ever, against eating cares, Lap me in soft Lydian airs, Married to immortal verse Such as the meeting soul may pierce, In notes with many a winding bout Of linked sweetness long drawn out.”

“How does one say in the jargon of musicology that my sould was pulled out of me and thrown up in the air, to be tossed about by the music. How does one say that I breathed, that I existed, in harmony with the ups and downs of those notes. What kind of notes both elevate and cast down, exalt and crush?”

“There are things about how a note sounds on a violin that are really analogous to the human voice - you have a frequency and the air, and then you have a timbre which really is overtones - and making those things work together is one thing. The other thing is mechanical: If you can use your hands and arms to create sound on a fiddle, then learning to sing with it is like adding a third body part. And it's all training.”

“I had a hole in my voice. It's an area in the voice where it's air. It's just - there's no - it's just very airy. And my classical teachers were just so frustrated with me because I would have these deep, low notes that were really strong, and the higher register was strong, but right in that middle area, it was really hard. It was like a passage. And many singers go through this and work it out. But I realized in jazz, I could just take advantage of that and take advantage of having a voice that was very different in different areas.”