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Areas Quotes

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Areas Quotes

“Continual improvement involves an appreciation that there is always a better way to do things irrespective of how much you have achieved or how comfortable you might be with where you currently are in life. As a young international rugby player I learnt a valuable lesson about sacrifice. The bottom line was the phrase 'long after the price is forgotten the quality remains'. Undertaking JOLT Challenge involves sacrifice but it is well worth it as you explore creative and innovative ways of challenging yourself for constant improvement in many areas of life.”

“I'm not comfortable with words. I love images ,and I love sounds, and I love feelings. I like the idea of intuition. I think a lot of things in life are understood that way. But you internalize these things; they don't really pop out. Certain things are built inside - little areas of understanding. I feel that I live in darkness and confusion, and I'm trying, like we all are, to make some sort of sense of it.”

“One of the reasons I got into this game was because I wanted to learn how to get myself comfortable in uncomfortable situations. I grew up in a tough area of Dublin, and fighting was just part of your life. Boys fight, and I won some, but I lost a lot too, and I didn't like that, I didn't like that feeling of not knowing whether I was in danger, in trouble.”

“Yeah, for me there are other challenges that aren't musical too. Like you just don't have as many people to feed off of energy wise, you are loading in and out and you are driving yourself more. Most of the challenges that count are the musical ones. I don't know why people come out to the shows, but I never think that it is to hear me play the guitar and sing. I think it must be in the writing and the presentation, which are the areas that I feel most comfortable.”

“I wasn't exposed to art as I was growing up, and can't recall the first time I saw a work of art. However, I remember very clearly a vision I had of a little green reindeer when I was a child, and visions emanate from the same mythical area where painting resides. Whatever the reason, I immediately felt comfortable working with visual materials.”