“To have a platform like So You Think You Can Dance, where you're reaching this audience that's been created over the 10 years that they've been on the air. People who didn't know anything about dance and aren't going to go to the theater are learning about it, even if it's ballroom and jazz, by just turning their television ono. They're building this audience that's advanced and educated enough to introduce them to ballet.” PeopleIfsThinkingKnowsYearsEnoughAudienceAirTelevisionBuildingTheaterJazzEducatedReachingBalletIntroducingPlatformsBallroom Author:Misty Copeland
“It's all about respect; he's looking for respect from his buddies. In the last one he just wanted to hang out, to be part of the group, but this time he wants more from his friends. And without giving the story away, he finally gets something that he has been looking for when the mini sloths kidnap him and take him to their tribal area. He gets to be the Fire King and they worship him and there is an amazing scene with a "call and response" sequence in the style of Cab Callow [the legendary American jazz singer and band leader] between him and his audience.” WantGivingHas BeensStoriesWantedLastsLeaderAudienceFireGroupsStyleKingsSceneBandWorshipAreasJazzResponseSingersHanging OutSequenceBuddySlothLegendaryCab Author:John Leguizamo
“I think jazz was just seeking respect and validity because a lot of people didn't believe it was a viable art form, and then they got a lot of attention in Europe. A lot of bands that can't catch flies in the US have these followings in Europe, [but] it's less and less the case. American audiences are way more sophisticated and adventurous than anyone thinks that they are.” PeopleThinkingWayBelieveArtFormAttentionCasesAudienceBandEuropeJazzSeekingFollowingSophisticatedAdventurousValidity Author:Andrew Bird