“I can pick up a screenplay and flip through the pages. If all I see is dialog, dialog, dialog, I won't even read it. I don't care how good the dialog is - it's a moving picture. It has to move all the time... It's not the stage. A movie audience doesn't have the patience to sit and learn a lesson. Their eyes need to be dazzled. The writer is the most important element in the entire film because if it ain't on the page it ain't going to be on the screen.” IfsNeedsI CanImportantEyeCareFilmMovingAudienceStageLessonsElementsPagesPicksDon't CareScreensI Don't CareFlipScreenplaysLearning Lessons Author:Robert Evans
“Nerves are always a big problem for me, which is why I loved doing American sitcoms. Because you know when you do the take in front of the audience that you're going to do it again afterwards. A minute after you finish, you just go and do it again. So, there's that sort of safety net. And then if you made a little mistake or two, they'll go pick it up, so there's nothing to worry about.” IfsKnowsLittlesMadeTwoProblemBigsMistakeWorryAudienceMinutesFrontsPicksSafetyNervesSitcomBig ProblemsSafety Net Author:John Cleese
“The truth is, the older you get, the less variety of parts you are offered. If you're a star and you've spent most of your career being able to take your pick of the litter, you notice when the offers start to diminish. You're too old to play leads, so you're offered the supporting role - but many stars don't want to make that transition. They see it as a sign of symbolic impotence. And that the audience will no longer regard them as a star. I love acting, and I'm not going to determine what I do based on what I fear other people might think. I do what I want to do.” PeopleIfsThinkingWantPlayMightAbleStarsActingCareersRolesAudienceTruth IsOffersPicksRegardDetermineVarietyTransitionDiminishSymbolicImpotenceSupporting Roles Author:Dustin Hoffman