“Kings ought never to be seen upon the stage. In the abstract, they are very disagreeable characters: it is only while living that they are 'the best of kings'. It is their power, their splendour, it is the apprehension of the personal consequences of their favour or their hatred that dazzles the imagination and suspends the judgement of their favourites or their vassals; but death cancels the bond of allegiance and of interest; and seen AS THEY WERE, their power and their pretensions look monstrous and ridiculous.” LooksCharacterInterestImaginationStageOughtKingsConsequenceHatredRidiculousJudgementAbstractFavourAllegianceMonstrousApprehensionPretensionDisagreeableDazzleSplendour Book:Characters of Shakespeare's Plays Source: Characters of Shakespeare's Plays
“The heart of Christianity is a myth which is also a fact. The old myth of the Dying God, without ceasing to be myth, comes down from the heaven of legend and imagination to the earth of history. It happens - at a particular date, in a particular place, followed by definable historical consequences. We pass from a Balder or an Osiris, dying nobody knows when or where, to a historical Person crucified (it is all in order) under Pontius Pilate. By becoming fact it does not cease to be myth: that is the miracle.” KnowsHeartPersonsDoeFactsHappensEarthOrderHeavenImaginationChristianityDyingParticularBecomingConsequenceMiracleHistoricalMythCeaseLegendsNobody KnowsOsiris Author:C. S. Lewis
“Is a brazen and innocent confrontation with paternal authority an unbearably terrifying prospect to some? Are the consequences of a fathers anger and displeasure so catastrophic in the primal imagination that every semblance of it in the world both literally and metaphorically must be denounced in the strongest possible terms? It would seem so.” WorldSeemsFatherTermImaginationAuthorityConsequenceInnocentStrongestConfrontationPrimalSemblanceBrazenDispleasure Author:Michael Leunig
“Action can only be understood in relation to place; only by staying in place can the imagination conceive or understand action in terms of consequence, of cause and effect. The meaning of action in time is inseparable from its meaning in place.” ActionCausesTermImaginationEffectsUnderstoodConsequenceRelationStayingInseparableCause And Effect Book:Standing by Words: Essays Source: Standing by Words: Essays
“It was really always about bringing back [James] Baldwin's words in all their rawness, in all their impact - in the way he analyzes not only this country but also the history of this country, the images that this country is fabricating through Hollywood, and what consequence that has in our imagination.” WayCountryImaginationConsequenceHollywoodImpactRawness Author:Raoul Peck
“The illusion of control has to be there, but mostly I'm following characters and the consequences of their own decisions, because a lot of the time they made decisions about what to do or how to behave that I had no idea were coming down the pike. As I would sit and try to inhabit a character, they themselves in my imagination would have quite a bit of free will.” TryingCharacterImaginationDecisionIllusionConsequenceBehaveFree WillMy Imagination Author:Bob Shacochis
“If we find it hard to believe that winning millions might not be so lucky after all, we just don't have a good enough imagination. If I fantasise about winning the lottery, it doesn't take long before all sorts of worrisome potential consequences occur to me.” IfsBelieveLongHardEnoughMightWinningImaginationMillionsLuckyConsequenceGood EnoughLotterySo LuckyHard To BelieveWinning The Lottery Author:Julian Baggini
“A miracle to confound natural law, a baffling reversal of the inevitable consequences . . . a miracle. . . . An act of high imagination -- daring and lurid and impossible. Yes, a cartoon of the mind.” MindLawImaginationNaturalImpossibleConsequenceMiracleInevitableDaringCartoonNatural LawReversal Book:Going After Cacciato Source: Going After Cacciato
“In a way, her strangeness, her naiveté, her craving for the other half of her equation was the consequence of an idle imagination. Had she paints, or clay, or knew the discipline of the dance, or strings, had she anything to engage her tremendous curiosity and her gift for metaphor, she might have exchanged the restlessness and preoccupation with whim for an activity that provided her with all she yearned for. And like an artist with no art form, she became dangerous.” WayArtMightFormArtistImaginationHalfDangerousDisciplineActivityConsequencePaintCuriosityMetaphorStringsIdleEquationsClayCravingOther HalfWhimRestlessnessPreoccupationStrangeness Author:Toni Morrison