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David Bowie Quotes

Browse 16 quotes about David Bowie.

David Bowie Quotes

“I wanted to use art. I wanted to use art in a different way in my life. I wanted a sense that... All the nooks and crannies that we don't understand about the way that we life through our day to day life, and I wanted that shown to me, you know? Not in great clarity, but some kind of physical manifestation of these are the areas of life that are causing you grief, or euphoria, and you don't really know why.”

“All due respect, Renny,” said Mary Jo, “I have a pretty freaking good idea of your capabilities. And I think Mr. Traegar’s decision to bring us in first was the correct one. We don’t really know what we’re dealing with when it comes to the fae—there is no way that the sheriff’s office would. We had two werewolves, Mercy and the goblin king out there—and if it weren’t for the goblin king we’d have failed to bring him in ourselves.” He gave her a look. “I am going to ignore—just for a minute—how much my geek side is loving that apparently there is a goblin king in the world. And that he is—again apparently—here in the Tri-Cities. Even knowing that David Bowie is gone, I am giddy about this.” He said all that in a very dry, professional tone. I was starting to really like this guy.”

“Step 10: Go on hormones. But do not, under any circumstances, think about becoming a lady. Instead, imagine yourself as a cool and mysterious David Bowie type character. Plan outfits and practice talking as though you have done a lot of acid, so you will be ready for when hormones bestow upon you this new look.”

“If his mutism was the symbolic death of the ego, it helped birth ‘Warszawa’ as an aural space, a city sensually reimagined. The ‘words’ – sula vie delejo – have the open vowel sounds of Japanese and the melodious thickness of Italian, sound objects that emanate from well inside the body and that crystalize in the vocals rather than on the written page, a language of intensity rather than intelligibility. The struggle to complete sentences also resulted in the fragmented ‘Breaking Glass’, the lyric-free ‘Speed of Life’ and ‘A New Career in a New Town’ (the intention was to write lyrics for both), the vibrating wordless chorus of ‘Weeping Wall’, the autistic private language of ‘Subterraneans’, the emotional interjections (‘Ahhhh’) of ‘What in the World’, the circularity of ‘Always Crashing in the Same Car’ and the repetitions of ‘Be My Wife’.”