“As an actor, I'm attracted to drama; as a director, it's humor - because it's the story of my life, and I can't be that serious about it. Being alone is a big theme in all my movies, both as a director and as an actress.” I CanStoriesBigsActorsSeriousDramaDirectorsActressesThemeStory Of My Life Author:Jodie Foster
“I like to invest as a performer in the director's vision and then bring a sense of reality to whatever I'm doing, whether it's comedy or whether it's drama, and trust that they're going to tell me if something's reading as funny or if it's reading as dramatic or reading in the right tone.” IfsRealityReadingVisionComedyDramaDirectorsDramaticTonePerformers Author:Amy Seimetz
“I don't care if you hate me or if you like me, as long as somebody gives me a character that is really a character to play. It's fun to be able to have a character and have a director that can direct you into a character. I'm just so happy that I got a good role. I don't care if it's bad or if it's good, and I don't care if it's drama or comedy. They are just so rare to come across.” IfsGivingLongPlayCharacterCareAbleHateFunRolesComedyDramaDirectorsDirectGive MeDon't CareLike MeI Don't CareHate MeYou Hate MeIf You Like MeIf You Hate Me Author:Salma Hayek
“There's very few directors I think in this industry that would pitch to a studio that they wanted to do a multi-layered almost at times existential high action, high drama surreal film that's sort of locked in his mind. And then have an opportunity to do that.” ThinkingMindActionWantedFilmOpportunityIndustryDramaDirectorsStudiosLockedExistentialSurreal Author:Christopher Nolan
“You can't see any movie nowadays really without it having some sort of CGI treatment, albeit whether it's a creature or an environment, something like that. To make a point, sort of poetically in that case, but clearly it was a drama and how do you approach it? Well, I think what you're supposed to do is what the text dictates. What you bring to it and everything you need to know should be there, and pay attention to your director.” ThinkingKnowsNeedsShouldWellsPayAttentionCasesEnvironmentDramaDirectorsCreaturesApproachPay AttentionTreatmentCgi Author:Brendan Fraser
“When I first started out, it was very, very difficult to even get in the room with directors or casting directors because they would see that I hadn't been to drama school and wouldn't want to see me. Now, I feel like it's changing. We have this new generation of a lot of writers, directors and actors who are just breaking through, and they're doing it for the passion.” WantFeelsFirstsSchoolPassionActorsDifficultRoomsGenerationsDramaDirectorsCastingNew GenerationCasting Directors Author:Kaya Scodelario
“With directors, some have a kind of in-built ability to just know how to work with actors and get the best out of actors, and some don't have a clue about acting. I think it'd be a good idea if directors put themselves in front of the camera, or even went on a six-week drama course, just to know a little bit about what that feels like.” IfsThinkingKnowsFeelsKindLittlesIdeasCoursesActorsBitsAbilityActingKnow HowWeekFrontsDramaDirectorsSixLittle BitBuiltCamerasGood IdeasClue Author:Paddy Considine
“A lot of the films now are more focused on the visuals than on the actors. I think all directors should go to drama school.” ThinkingShouldSchoolFilmActorsDramaDirectorsFocusedVisuals Author:Eva Green
“Screenwriting involves an often un-personal process. Co-writers, directors, producers, everyone has a say in what you put on a page, and stories are constantly changing according to budget, actors, and commercial needs. Films are a collaborative process and are also inherently narrative and structured, so you are always working within very tight parameters. Short fiction unleashes a more intimate voice and a passion for language. I believe short narratives can have the same amount of danger and drama as any action film.” NeedsBelieveStoriesActionFilmPassionActorsLanguageI BelieveProcessVoiceFictionDangerAmountDramaDirectorsPagesProducersNarrativeBudgetsIntimateScreenwritingParametersAction FilmsAlways Working Author:Chiara Barzini
“I was fifteen, or sixteen. I was in high school. I was spending a summer in California with my second cousins. And I wanted to be a director really bad. I was making a lot of 8mm home movies, since I was twelve, making little dramas and comedies with the neighborhood kids.” LittlesHomeKidsWantedSchoolComedyDramaDirectorsSummerHigh SchoolSpendingCaliforniaNeighborhoodTwelveFifteenCousinSixteen Author:Steven Spielberg
“He was such a fabulous drama coach. What better person to have than Alfred Hitchcock? His work as a director was impeccable. I learned so much.” PersonsDramaDirectorsCoachesFabulousBetter PersonHitchcockImpeccable Author:Tippi Hedren
“The headmistress was a very well-respected theater teacher. She taught me what stage left and stage right were, what a director was, and what all these things meant, which was something I had no concept of. She sent me off to drama school, at age 18, and I stayed there for three years. Before I knew it, I was working on a TV show.” YearsWellsShowsAgeSchoolThreeLeftTeacherStageTaughtTvsDramaDirectorsConceptsTheaterThree YearsTv ShowsHeadmistress Author:Robert Kazinsky
“One of the great things about this cast is that we've been able to take actors of relatively the same age group that would never usually meet. You know, like bridging the comedy/drama world that for some reason casting directors never really want to bridge or you get into one community and that's kind of it.” KnowsWorldWantKindReasonAgeAbleActorsCommunityComedyGroupsDramaDirectorsCastsGreat ThingsBridgesCastingCasting Directors Author:Alison Pill