“A lot of directors prefer the solitude of the editing process, but I revel in the craziness of what a film set is.” FilmProcessSolitudeDirectorsEditingCrazinessFilm Set Author:Alan Parker
“I enjoy looking at words on paper and visualizing how to make them come to life. As a director, the creative process is really amazing.” ProcessEnjoyCreativeDirectorsPaperCreative ProcessReally AmazingVisualizingWords On Paper Author:Alfonso Ribeiro
“Actors are accustomed to doing exactly what the director or writer requests us to do, and rarely get involved in that part of the process.” ActorsProcessInvolvedDirectorsAccustomedGet InvolvedRequest Author:Catherine McCormack
“Sometimes writers or writer-directors can get nuts about words, but you know and I know that it's the thought process behind the words that motivates the words, that conveys real communication and meaning.” KnowsRealSometimesProcessBehindsCommunicationDirectorsNutsThought Process Author:John Kapelos
“I was thinking what an interesting concept it is to eliminate the writer from the artistic process. If we can just get rid of these actors and directors, maybe we got something here.” IfsThinkingActorsProcessInterestingDirectorsConceptsArtisticArtistic Process Author:Michael Tolkin
“The cities of Italy are now deluged with droves of these creatures [tour groups], for they never separate, and you see them, forty in number, pouring along a street with their director - now in front, now at the rear, circling them like a sheep dog - and really the process is as like herding as may be.” MayProcessNumbersCitiesGroupsStreetsDogFrontsDirectorsCreaturesFortySheepPouring Author:Daniel J. Boorstin
“I think a lot of directors, they come out of film school, they don't know anything about acting. Or they're writers that don't know anything about the process. And I think they're afraid sometimes to talk to actors and be honest with actors.” ThinkingKnowsSometimesSchoolFilmActorsProcessActingHonestDirectorsBeing HonestFilm School Author:Matt Dillon
“During the years I was on the board of directors of the National Organization for Women in New York City, the most resistant audiences I ever faced in the process of doing corporate workshops on equality in the workplace were not male executives - they were the wives of male executives. As long as her income came from her husband, she was not feeling generous when affirmative action let another woman have a head start vying for her husband's (her) income.” YearsLongFeelingsActionProcessCitiesAudienceWifeNew YorkDirectorsHusbandOrganizationMalesIncomeCorporateGenerousBoardsExecutivesNew York CityChaptersWorkplaceWorkshopsAffirmative ActionAffirmativeBoard Of DirectorsAnother WomanHead Start Author:Warren Farrell
“The process of making a movie has expanded in terms of effort and time for the director, doing commentaries for the DVD for example, finishing deleted scenes so they could be on the DVD, and doing things like a web blog.” ProcessTermEffortExampleSceneDirectorsBlogsFinishingCommentaryDvdsEffort And Time Author:David Cronenberg
“I have been a director who has starred, participated on both sides of the filmmaking process.” Has BeensProcessSidesComedyDirectorsFilmmakingBoth Sides Author:Keenen Ivory Wayans
“One of the most, in a weird way, encouraging things a director can say to an actor - I know this as an actor - is when you ask them a question, they say, I don't know - 'cause it means there's some space there for you to find out. And it means that there's going to be a process.” KnowsWayMeanActorsAsksCausesProcessSpaceDirectors Author:Alan Rickman
“Screenwriting involves an often un-personal process. Co-writers, directors, producers, everyone has a say in what you put on a page, and stories are constantly changing according to budget, actors, and commercial needs. Films are a collaborative process and are also inherently narrative and structured, so you are always working within very tight parameters. Short fiction unleashes a more intimate voice and a passion for language. I believe short narratives can have the same amount of danger and drama as any action film.” NeedsBelieveStoriesActionFilmPassionActorsLanguageI BelieveProcessVoiceFictionDangerAmountDramaDirectorsPagesProducersNarrativeBudgetsIntimateScreenwritingParametersAction FilmsAlways Working Author:Chiara Barzini
“I find that in the process of making a film you're constantly discovering things that you never even imagined would work at the beginning. Actors come into the film and do things you never even imagined. Production designers come in, the director of photography lights it in a way that you never imagined. So, it's always evolving, always exciting.” WayLightFilmActorsProcessDirectorsPhotographyExcitingProductionsEvolveDesignerDiscoveringDiscovering Things Author:Peter Jackson
“David Fincher is probably the best comprehensive director in terms of being a manger of a process that must drive forward. He has such confident command of cinema language and visual language and script and performance. He knows more about f-stops than any cameraman, he knows more about lighting than any gaffer, he is a wonderful writer, and he can give you a good line reading. Under pressure, he is the kind of guy who you will just dive in with and trust and follow because his vision is so intense.” KnowsGivingKindGuyReadingLanguageProcessTermLinesVisionWonderfulDirectorsPerformancesPressureScriptsIntenseCommandCinemaVisualsComprehensiveLightingUnder PressureCameraman Author:Edward Norton
“Acting was a lot like football. When you're a DB and you're one on one with a receiver, you're going to dance. It's go-time in front of 100,000 people and everybody watching on TV. That's exactly how it is when a director says 'Action!' It's the same adrenaline rush, the same training process. I love it.” PeopleActionProcessActingFrontsFootballTvsDirectorsTrainingAdrenalineReceiverOne On OneAdrenaline Rush Author:Brian J. White
“Sometimes the personality or just the particular process of a director can really affect your quality of life as a composer in terms of how much time you spend away from your family or the amount of time you spend doing the type of work that you maybe don't consider as fun to do as other type of work.” SometimesFunProcessTermQualityParticularTypePersonalityAmountDirectorsOur FamilyComposerQuality Of Life Author:Christophe Beck
“In live-action, writing, production and editing happen in discrete stages. In animation, they overlap - happening simultaneously. This allows a real dialogue to occur between the writer, the director, the actors and the editor, and it makes the writing process a lot more collaborative and a lot less lonely.” WritingRealHappensActionActorsProcessStageDirectorsHappeningsLonelyProductionsDialogueEditorsEditingWriting ProcessAnimationDiscrete Author:Michael Arndt
“When auditioning, I try to imagine that I'm the only person that they [directors] are seeing that day because it can be overwhelming, in the same sense that it could be overwhelming if you try to fulfil everyone's expectations rather than the people closest to you in the creative process, be it your director, or fellow actors and the writers. So, that's kind of it - I try to trick myself into believing that no one has ever gone there before.” PeopleIfsTryingBelieveKindPersonsActorsProcessGoneCreativeImagineSeeingDirectorsExpectationsFellowsTricksOverwhelmingImagine ThatCreative ProcessClosest Author:Benedict Cumberbatch
“I generally enjoy the rehearsal process because that's where you can share your ideas, get your thoughts and feelings out and see whether or not they're going to land, whether or not people are going to agree with them, particularly the director. So you can sort out in that process any elements that need to be sorted out before you're on the set, and of course that saves time and it also makes everyone more comfortable working together.” PeopleNeedsIdeasFeelingsTogetherCoursesProcessEnjoyShareLandDirectorsElementsComfortableAgreeWorking TogetherRehearsalThoughts And Feelings Author:Nicolas Cage
“It's great when improv is encouraged. It's a really fun thing. It depends on who's in the movie and how their process works, as well. It takes a director who is open to that because you have a script, but then something funny could happen on set. So, to have people around you who encourage improv is really exciting.” PeopleWellsHappensFunProcessDependsDirectorsExcitingScriptsFun Things Author:Lily Collins
“My strongest quality as an actor is taking direction. I will give my performance as a template and if the director gives any instruction, I take that information, process it and morph it into the next take. I love the feeling I get when nailing a scene through direction.” IfsGivingFeelingsNextActorsProcessQualityInformationSceneDirectorsPerformancesStrongestInstruction Author:James Preston Rogers
“I never sat down and wrote, but what I do is kind of act as a dramaturge for the piece. I am sitting with the writers. I'm discussing ideas with the writers and concepts. We're debating and having a dialectic where we are taking a lot of different ideas and trying to synthesize them into the right idea. I'm very much a part of that process. That's my job as the director.” TryingKindIdeasDifferentJobsProcessPiecesDirectorsSittingConceptsDown AndSatDiscussingDialecticsDifferent IdeasRight Ideas Author:Larry Charles
“The process always starts with detailed conversations with the director, followed by a spotting session (deciding where the music goes and doesn't go in the film, and what the music should be saying or not saying) in each scene. This is followed by sending the director demos of each cue for feedback.” ShouldFilmProcessSceneDirectorsConversationFeedbackSessionDemos Author:John Keltonic
“I had a very blessed journey with the upbringing I had. When you're working on sets as a stuntman, you have a firsthand account of the dynamics between actors and directors, because you're working hand in hand with them. You're not sitting outside the process watching. You become part of the process. You also see your tradecraft and see how movies are made.” MadeHandsActorsProcessJourneyDirectorsSittingAccountsBlessedUpbringingHand In HandDynamicsStuntman Author:Ric Roman Waugh
“One of the good things is the relationship between director and editor used to be more contentious. Studios used to leave directors alone more during the post production process and now they're clamoring to get in. So, the director and the editor end up teaming up sort of against the studio to fight what they're doing and you lose the creative tension that you used to have between an editor and a director.” EndsUsedFightingProcessLosesCreativeDirectorsGood ThingsProductionsStudiosUsed To BePostsTensionEditorsContentiousPost ProductionCreative TensionTeaming Up Author:Michael Sucsy
“It might sound crazy, but filming in a conflict zone, in Afghanistan, and being a female filmmaker was the easy part. I found people open and understanding of the importance and beauty of filmic storytelling. I never had to explain why Jake Bryant, my Director of Photography, and I were climbing up a ladder to get a high shot, or running ahead to get an arrival shot, or filming weeks after weeks, months after months, collecting so much material. The process was respected and honored.” PeopleMightRunningFoundEasyProcessUnderstandingSoundWeekCrazyMaterialsMonthsDirectorsConflictPhotographyShotsFemaleImportanceStorytellingFilmmakerZoneClimbingAfghanistanHonoredLaddersCollectingArrivalsJakeClimbing Up Author:Pietra Brettkelly
“I would love to be a fly on the wall watching other directors and actors to see what their process is like.” ActorsProcessWallDirectors Author:Chiwetel Ejiofor
“In my case, when you dive into a role, to do well and for you to do well in it, you have to put an enormous amount of faith in the director. But you also have to decide you're so interested in the material, this director, his work, and his process, that you don't care about the outcome.” WellsCareProcessRolesCasesMaterialsAmountDirectorsDon't CareEnormousOutcomes Author:Andrea Riseborough
“It is one of the few elements in the process that a director really, really can't control: an actor's performance. If you have a director that understands that, it's comforting to an actor. You're starting the relationship more as a collaborator, rather than as an employee or some kind of a soldier trying to execute something you don't organically feel.” IfsFeelsTryingKindActorsProcessDirectorsElementsPerformancesStartingSoldierEmployeeComfortingCollaborators Author:Jason Bateman
“In Korea is what I do is I watch the playback of each take with all of the actors and spend a lot of time discussing each take. Also, I use the process we call auto-assembly because I storyboard my entire film right at the beginning, even before pre-production ever begins, so my vision is already laid out on the storyboard for everybody to share. It enables the on-set assembly person, as we call them, to cut together each take into a sequence. This enables a director to review the take within the context of the sequence of the scene.” PersonsUseTogetherFilmActorsProcessVisionWatchesCuttingShareSceneDirectorsProductionsReviewsSequenceKoreaAssemblyDiscussing Author:Park Chan-wook
“I'm trying to avoid any more asshole roles, at least for a little bit. The main criteria for me when choosing a project is a good director. I just want to work with these guys that I admire because I do want to direct my own films one day, and I want to pick their brains to see what their process is like, and see what I can take from that.” WantTryingLittlesI CanFilmGuyBitsProcessMy OwnBrainRolesOne DayDirectorsProjectsLittle BitPicksDirectAdmireCriteriaGood Directors Author:Dave Franco
“I think filmmaking should be a wonderfully free collaborative process, and it so very rarely is. I often see directors as jailers of my talent.” ThinkingShouldProcessTalentDirectorsFilmmakingJailer Author:Gary Oldman
“When I'm in the studio, I write the music, I play the different instruments, I produce it, I arrange it, and it's a self-indulgent exercise. It's the way I make my music. And when I'm acting, I get to leave myself behind, which is a relief. I get to collaborate with a director; I respect the director's medium and all the actors and actresses. So at the end of the day, it's about a character and it's about a director's vision. It's a really good balance for being so intense and alone in my personal process of making music.” WayWritingDifferentEndsSelfPlayCharacterActorsProcessActingBehindsVisionProduceBalanceExerciseDirectorsInstrumentsStudiosActressesIntenseMediumsReliefThe End Of The DaySelf IndulgentActors And Actresses Author:Lenny Kravitz
“The relationship with actor and director is probably closer to theater, in that, when we record the dialogue, there is very little in the way of the creative collaboration - no cameras, lighting or even locations. Then, once we record, the post process is very similar to the post flow in filmmaking - editing, sound design, mixing, etc. At the end of the day, it's all about storytelling and honing in on a tone by developing a rhythm and structure that suits the storytelling.” WayLittlesEndsActorsProcessSoundCreativeRecordsDesignDirectorsFlowTheaterCamerasStructureDialogueStorytellingSuitsRhythmDevelopingPostsToneThe End Of The DayEtcCollaborationFilmmakingEditingLocationLightingMixingHoningSound DesignCreative Collaboration Author:Glenn McQuaid
“There are two kinds of filmmaking: Hitchcock's (the film is complete in the director's mind) and Coppola's (which thrives on process). For Hitchcock, any variation from the complete internal idea is seen as a defect. The perfection already exists. Coppola's approach is to harvest the random elements that the process throws up, things that were not in his mind when he began.” MindKindTwoIdeasFilmProcessDirectorsElementsApproachPerfectionThriveInternalsFilmmakingHarvestDefectsVariationHitchcock Author:Walter Murch
“My tutor was a film director on the side, and she introduced me to film. She then put me in one of her short films, and it came out of that. That's when I fell in love with the process of making a film. After that, I was about 15 and I was like, "This is what I've gotta do." So, I started taking acting lessons, and then I applied to college to do acting. I got an agent, and it all just happened.” FilmProcessSidesActingHappenedCollegeLessonsDirectorsAgentsFilm DirectorsShort FilmsTutor Author:Eve Hewson
“When I was a kid it was much more difficult. You're trying to understand what the director wants. It's a learning process. Now, you go in and it's more of a collaboration.” WantTryingKidsProcessDifficultDirectorsCollaborationLearning Process Author:Moises Arias
“I guess I probably see myself as a director. If I had to choose, I think that that's the aspect of the process that I'm most excited by.” IfsThinkingProcessDirectorsAspectExcited Author:Joe Swanberg
“When you're a first time director, you're often considered what's called a "deadly attachment" in the eyes of financiers, because they're trusting you with a lot of money to bring something home, to get great performances, to not have a nervous breakdown in the process.” FirstsHomeEyeProcessDirectorsFirst TimePerformancesNervousAttachmentLots Of MoneyBreakdownFinanciersNervous BreakdownGreat PerformanceTrusting You Author:John Krokidas
“It's always a good collaboration between the actor and the writer and the director to try stuff out, during the process.” TryingActorsStuffProcessDirectorsCollaboration Author:Mark Consuelos
“If you are able to see on a monitor what it's actually going to look like and have that kind of feedback informing your decisions, then you're bringing back a lot of the decision-making process of the designer, the director of photography and the director away from the post-production process and bringing it back into the actual capturing of the event on film.” IfsLooksKindAbleFilmProcessDecisionEventsDirectorsPhotographyProductionsPostsDesignerDecision MakingFeedbackInformingDecision Making ProcessPost Production Author:Rick Heinrichs
“Among today's directors I'm of course impressed by Steven Spielberg and Scorsese, and Coppola, even if he seems to have ceased making films, and Steven Soderbergh - they all have something to say, they're passionate, they have an idealistic attitude to the filmmaking process. Soderbergh's Traffic is amazing. Another great couple of examples of the strength of American cinema is American Beauty and Magnolia.” IfsSeemsTodayFilmCoursesProcessAttitudeExampleCoupleDirectorsPassionateCinemaFilmmakingImpressedTrafficIdealisticScorseseMagnolias Author:Ingmar Bergman
“Since signing with Universal, I have been working closely with Gary Ross, the director, producer and screenwriter. We have spent many hours on the phone, and I've been sending him information and items that have been useful to the writing process.” WritingHas BeensProcessHoursInformationDirectorsUniversalPhonesProducersWriting ProcessItemsSigningScreenwritersGary Author:Laura Hillenbrand
“As a director, you want to be really connected to every part of your set, from your actors all the way to your camera operators. Everybody is a part of the creative process, and if they feel like they're part of a team versus just being a tool, they're going to give you something special.” IfsWayWantGivingFeelsActorsProcessCreativeTeamSpecialDirectorsToolsCamerasConnectedCreative ProcessJust BeingVersusSomething SpecialOperators Author:Eric Balfour
“Stepping out of the director's chair completely and into a scene as an actor was weird. It was more excitement about directing than anything, but I was on a high from being a director and enjoying that process so much that going back to being an actor was almost secondary because I really was loving directing.” ActorsProcessEnjoySceneDirectorsExcitementChairs Author:Eric Balfour
“Director and producers have to take all the risks they can. We developed this film with the possibility to create departing from a blank page and to discover things as the process went along and as we understood the things that at first we couldn't understand in words.” FirstsFilmProcessRiskPossibilityDirectorsPagesUnderstoodProducersBlankBlank PagesDeparting Author:Alex Abreu
“But, yeah, it was just the regular audition process. There were a couple people telling me about it and that they were looking for the actors, but my manager is pretty good at sorting that out. And, (casting director) Rene Haynes cast me in Into the West, and she's always kept in touch and been a real big supporter of my career.” PeopleRealBigsActorsProcessCareersCoupleDirectorsYeahWestCastsManagersAuditionsSupporterCastingSortingCasting Directors Author:Tinsel Korey
“Yes, there was a massive difference between their styles. David is a very technical director and Chris is an actor's director, in the sense of emotion. With David, he's done horror films, so Eclipse is much darker, whereas I found New Moon really light and poetic. I didn't have as much interaction with David because the casting process was already done.” DoneLightFilmActorsFoundProcessDifferencesEmotionStyleHorrorMoonDirectorsMassivePoeticInteractionCastingEclipseHorror FilmNew Moon Author:Tinsel Korey
“(The) process of acting is no different to conventional screen acting, in that it's providing a perfect interface between the director and the performer. So there's no sort of long way around a viral committee of animators.” WayLongDifferentProcessPerfectActingDirectorsScreensPerformersProvidingConventionalCommitteesLong WayInterfacesAnimatorViral Author:Andy Serkis
“I fall in love with every film while I'm doing it. I fall in love with the directors, I fall in love with the process. I don't think I could do it otherwise.” ThinkingFilmFallProcessDirectorsFalling In LoveI Fall In Love Author:Nick Frost