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Nervous Breakdown Quotes

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Nervous Breakdown Quotes

“I kept waiting for this momentous breakdown, with everything crashing down in some spectacular show. What I didn't recognize, is that all along I had been crumbling slowly and quietly, like unfired clay. It's almost boring how unspectacular it is. Nothing earth shattering happened, in fact that's the problem; day after day nothing happens. You just feel incapable, unfocused, disorganized, and defeated. Make some strong coffee and get to work. You're not alone.”

“There is an argument for believing that the entire process of writing a piece of fiction is simply a thinly-controlled and highly-internalised nervous breakdown designed, with a bit of luck, to produce something worthwhile at the end.”

“I believe what I call common sense gun reform. Plus, a revolution in mental health, making sure that if people are having a nervous breakdown, or are suicidal, or homicidal, they get the care they need when they need it. I think the vast majority of the American people can support and agenda composed of those features.”

“When I was thirteen, I had a nervous breakdown, and I was put into this grown-up mental hospital with all these 50-, 60-year-old men and women. This big, Victorian mental house. There were like five boys in there, all my age, looked after by this woman who was 22 or 23. And it was like "Empire of the Sun" meets "One Flew Over the Cuckoo's Nest"-type of arrangement where you've got this young boy overcoming and becoming heroic in the face of this awful place.”

“I've never stolen anything. Well, that's not entirely true. I once accidentally took a gift card from a store in a mall. I was carrying it around to show my mom because I thought it was funny, and I forgot to show it to her and left the store carrying it. I had a complete nervous breakdown, like, 20 minutes later and went back to the store in tears. So that's where I stand in terms of my ability to steal something.”

“There was an assumption that aerial bombing of civilians in World War II would cause fragile, working-class people to basically have nervous breakdowns and it would paralyze the state. That was the logic of aerial bombing. In fact, it doesn't happen at all, but the logic behind aerial bombing has never stopped, even though it never demoralizes, terrorizes, or paralyzes a population.”

“One of the symptoms of an approaching nervous breakdown is the belief that one's work is terribly important.”

“The girls in California were probably prettier in a standard sense than the New York girls--blonder and in better health, I guess; but I still preferred the way the girls in New York looked--stranger and more neurotic (a girl always looked more beautiful and fragile when she was about to have a nervous breakdown).”

“Dear Isabelle, Alec is about to have a nervous breakdown. If you do not immediately desist planing my wedding to your brother, I will come back to Manhattan and blow up the Institute. I will turn Church into a man-eating beast who will rampage through the streets of Manhattan, stepping on mundanes. And I will make you fat. Love, Magnus”

“Some logics get nervous breakdowns. Overloaded phone system behaves like frightened child. Mike did not have upsets, acquired sense of humor instead. Low one. If he were a man, you wouldn't dare stoop over. His idea of thigh-slapper would be to dump you out of bed — or put itch powder in pressure suit.”

“Even when I took the drugs I realized that this just wasn't fun anymore. The drugs had become a part of my routine. Something to wake me up. Something to help me sleep. Something to calm my nerves. There was a time when I was able to wake up, go to sleep, and have fun without a pill or a line to help me function. These days it felt like I might have a nervous breakdown if I didn't have them.”

“I don't think there's any kind of preparation for sudden celebrity. I think you almost have this slight nervous breakdown when that kind of media attention happens. I mean, you're doing the same kind of thing that you do all the time, only you have to make these weird adjustments. Like, you're buying a slice of pizza and somebody's outside photographing you which is weird - that's not normal! It's very uncomfortable.”

“I understand why creative people like dark, but American audiences dont like dark. They like story. They do not respond to nervous breakdowns and unhappy episodes that lead nowhere. They like their characters to be a part of the action. They like strength, not weakness, a chance to work out any dilemma.”