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“Winding her arms close around his neck, she closed her eyes. To be embraced, safe in a man's arms when she had never expected it to happen again, this would be enough.Time sheltered their embrace, enfolding them within a summer scented capsule that felt endless and theirs alone. The fragrance of grass and sunlight and nearby water sweetened each breath. Theirs was the music of birds ans the lazy buzz of insects and the beating of two hearts. Yes, she thought, she didn't need more. This would be enough.”

“What are the hallmarks of a competent writer of fiction? The first, it seems to me, is that he should be immensely interested in human beings, and have an eye sharp enough to see into them, and a hand clever enough to draw them as they are. The second is that he should be able to set them in imaginary situations which display the contents of their psyches effectively, and so carry his reader swiftly and pleasantly from point to point of what is called a good story.”

“Doubtless almost any intense emotion may open our 'inward eye' to the beauty of reality. Falling in love appears to do it for some people. The beauties of nature or the exhilaration of artistic creation does it for others. Probably any high experience may momentarily stretch our souls up on tiptoe, so that we catch a glimpse of that marvelous beauty which is always there, but which we are not often tall enough to perceive.”

“The human brain cannot release enough neurotransmitters to feel emotion a thousand times as strong as the grief of one funeral. A prospective risk going from 10,000,000 deaths to 100,000,000 deaths does not multiply by ten the strength of our determination to stop it. It adds one more zero on paper for our eyes to glaze over.”

“The Mackenzie had never met folk so poor in story and song and legends, and it moved him to a pity that pricked at his eyes. Without that tapestry of colour and words and ritual, what was life but eating and mating, sleeping and moving your bowels? All of them good and necessary, but not enough; and they themselves needed that framework too, to give them meaning.”

“Do we, mad as we all are after riches, hear often enough from the pulpit the spirit of those words in which Dean Swift, in his epitaph on the affluent and profligate Colonel Chartres, announces the small esteem of wealth in the eyes of God, from the fact of His thus lavishing it upon the meanest and basest of His creatures?”

“Little eyes must be good-tempered or they are ruined. They have no other resource. But this will beautify them enough. They are made for laughing, and, should do their duty.”

“A nap is not to be confused with sleeping. We sleep to recharge our bodies. We nap to care for our souls. When we nap, we are resting our eyes while our imaginations soar. Getting ready for the next round. Sorting, sifting, separating the profound from the profane, the possible from the improbable. Rehearsing our acceptance speech for the Nobel Prize, our surprise on receiving the MacArthur genius award. This requires a prone position. If we're lucky, we might drift off, but we won't drift far. Just far enough to ransom our creativity from chaos.”

“Children with heaven in their eyes and an air of mystery about them, meditative and quiet, friends of God, friends of all, loved and loving and asking very little from the outer world, because they have more than enough within. They are classed as the dreamers, but they are really seers. They do not ask much and they do not need much beyond a reverent guardianship and to be let alone and allowed to grow; they will find this way for they are 'taught of God.”

“Journalism is an extraordinary and terrible privilege. Not by chance, if you are aware of it, does it consume you with a hundred feelings of inadequacy. Not by chance, when I find myself going through an event or an important encounter, does it seize me like anguish, a fear of not having enough eyes and enough ears and enough brains to look and listen and understand like a worm hidden in the wood of history.”

“Since the journey is a metaphor - the most ambiguous and seductive of metaphors, we tell ourselves - it can also be born of immobility. There is no need to drag our bodies around so much, all dressed up. It's hot, there are flies, diseases. It is enough to close our eyes, seated on a chair in the shade, to float on the waves of imagination. Isn't that what books are there for?”