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Fame Quotes

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Fame Quotes

“There is no man but for his own interest hath an obligation to be honest. There may be sometimes temptations to be otherwise; but, all cards cast up, he shall find it the greatest ease, the highest profit, the best pleasure, the most safety, and the noblest fame, to hold the horns of this altar, which, in all assays, can in himself protect him.”

“Never, I say, had a country so many openings to happiness as this.... Her cause was good. Her principles just and liberal. Her temper serene and firm.... The remembrance then of what is past, if it operates rightly must inspire her with the most laudable of an ambition, that of adding to the fair fame she began with. The world has seen her great adversity.... Let then, the world see that she can bear prosperity; and that her honest virtue in time of peace is equal to the bravest virtue in time of war.”

“Once you grow accustomed to being famous, you do not realize it, but you are never quite your humble, honest self. No matter how tightly you keep the lid on, there is some watered stock of vanity inside. You are always in danger of the thing's coming off and of giving yourself an air or two. No man or woman was ever so distinguished that this exhibition did not make him ridiculous, especially to those of meaner minds.”

“Jamie glanced at her notes. "So let's be honest, Jacks, can we? What is the best part of being an Angel? Is it the lifestyle? Is it the parties? The fame? What's your favourite part?" "Just having this chance," he said after considering. "And what chance is that?" Jamie asked. Jacks's blue eyes twinkled. "The chance to be a hero.”

“Apropos, is not the Scotch phrase 'Auld Lang Syne' exceedingly expressive? I shall give you the verses on the other sheet. The words of 'Auld Lang Syne' are good, but the music is an old air, the rudiments of the modern tune of that name. ... Dare to be honest and fear no labor. ... Opera is where a man gets stabbed in the back, and instead of dying, he sings. ... Chords that vibrate sweetest pleasure thrill the deepest notes of woe. ... Critics! Those cut-throat bandits in the paths of fame.”