“So how do people listen to music? How do the broad masses listen to it? Apparently they have to be able to cling to pictures and 'moods' of some kind. If they can't imagine a green field, a blue sky or something of the sort, then they are out of their depth.” PeopleIfsKindAbleImagineSkyFieldsMassBlueGreenDepthMoodBroadsListening To MusicBlue SkyGreen Fields Book:The path to the new music Source: The path to the new music
“When you shoot on high-definition, everything is very sharp and clear, sometimes at the cost of losing dimension and depth of field.” SometimesClearFieldsCostLosingDepthDefinitionsDimensionsHigh DefinitionDepth Of Field Author:Gina Bellman
“When I started using the extreme short depth of field and single point of focus, I was trying to replicate my changing eyesight. We have binocular vision; one eye perceives space from the other. I don't experience a scene visually at F32. It's more like F1.4.” TryingEyeSpaceVisionFocusFieldsScenePhotographyDepthExtremesPerceiveReplicateEyesightDepth Of Field Author:Keith Carter
“I take bits and pieces from every director. I'd say Sylvain [White] and Nimrod [Antal]. They were more about teaching me lens sizes and depth of field and how to move the camera and lighting. I do want to direct and I didn't go to film school, so having a director that are very much hands on that way and looking to let me learn, that is a key factor.” WayWantHandsSchoolFilmMovingBitsWhitePiecesTeachingFieldsKeysDirectorsDirectLet MeCamerasDepthSizeFactorsLensesLightingFilm SchoolBits And PiecesDepth Of Field Author:Columbus Short
“The dimensionality of 3D, the depth of field, the dynamism... it's an immersive experience. And on top of that it's great because the new glasses don't make you want to throw up and they don't give you paper cuts!” WantGivingCuttingFieldsPaperDepthGlassesDynamismDepth Of FieldPaper Cuts Author:Brendan Fraser
“I began to realize that by carefully selecting the depth of field and making it narrow, I could create a sense of movement and reality that was in fact not there.” FactsRealityRealizingMovementFieldsDepthDepth Of Field Author:David Levinthal
“Ever since I began working with toys, I have been intrigued with the idea that these seemingly benign objects could take on such incredible power and personality simply by the way they were photographed. I began to realize that by carefully selecting the depth of field and making it narrow, I could create a sense of movement and reality that was in fact not there” WayHas BeensIdeasFactsRealityRealizingMovementFieldsObjectsPersonalityDepthIncrediblesToysIntriguedBenignDepth Of Field Author:David Levinthal
“I've always believed a great photographer should concentrate more on depth of feeling and less on depth of field.” ShouldFeelingsFieldsDepthPhotographerAlways BelieveDepth Of Field Author:Max Dupain
“I see the carpet reflecting that narratological structure of the storytelling, with Scheherazade as the outside frame story on the outside, with the stories woven on the inside. It's also demonstrative of the infinity of it, with no beginning and no end. The carpet is also a kind of metonym for cinema, this idea that the flat surface carries a terrific depth of imaginative field while remaining totally flat.” KindIdeasEndsStoriesFieldsStructureDepthSurfaceStorytellingCinemaCarrieFlatsInfinityImaginativeCarpetTerrificReflectingWoven Author:Marina Warner