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Goes On Quotes

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Goes On Quotes

“Speaking as somebody who's been in the drug scene, it's not something you can go on and on doing, you know. It's like drink, or anything, you've got to come to terms with it. You know, like too much food, or too much anything. You've got to get out of it. You're left with yourself all the time, whatever you do--you know, meditation, drugs or anything. But you've got to get down to your own god and your own temple in your head.”

“If you look at a photograph, and you think, 'My isn't that a beautiful photograph,' and you go on to the next one, or 'Isn't that nice light?' so what? I mean what does it do to you or what's the real value in the long run? What do you walk away from it with? I mean, I'd much rather show you a photograph that makes demands on you, that you might become involved in on your own terms or be perplexed by.”

“But is there any reason to believe that a woman's spiritual fibre is less sturdy than a man's? Is it not possible for a woman to come to terms with herself if not with the world; to withdraw more and more, as time goes on, her own personality from her productions; to stop childish fears of death and eschew charming rebellions against facts?”

“I don't always know what's going to go on in terms of the mood of the story. Sometimes I start with the mood, but sometimes I just try to work toward discovering it. But I do think often there's a mood or unsettling quality, in which the reality of the world seems to be taken away, that I really love, and it's something that I almost always unconsciously move toward.”

“I really gave up being passionate about politics 10, 15, 20 years ago, because I think finally that there were forces in the country that are larger than politics itself. And so I find it a fascinating game, this wonderful stuff goes on in terms of watching the game. But If you get to down it, look, I`m going to root for someone, I`ll root at a football game, not for politicians.”

“I think the success of every novel - if it's a novel of action - depends on the high spots. The thing to do is to say to yourself, 'Which are my big scenes?' and then get every drop of juice out of them. The principle I always go on in writing a novel is to think of the characters in terms of actors in a play. I say to myself, if a big name were playing this part, and if he found that after a strong first act he had practically nothing to do in the second act, he would walk out. Now, then, can I twist the story so as to give him plenty to do all the way through?”

“. . . what humanity most desperately needs is not the creation of new worlds but the recreation in terms of human comprehension of the world we have -- and it is for this reason that arts go on for generation to generation in spite of the fact that Phidias has already carved and Homer has already sung. The creation, we are informed, was accomplished in seven days with Sunday off, but the recreation will never be accomplished because it is always accomplished anew for each generation of living men.”

“I know a lot of people with obsessive qualities, and there's a positive and negative part to it. There's the appeal of someone who's so deadly focused on something that they want or desire - there's a dedication and a single-mindedness that's great. But then if it goes on too long it becomes a psychosis. What's the French term for it? Idee fixe.”