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Hundred Quotes

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“On the Avenue in front of the White House were several hundred colored people, mostly women and children, weeping and wailing their loss. This crowd did not diminish through the whole of that cold, wet day; they seemed not to know what was to by their fate since their great benefactor was dead, and though strong and brave men wept when I met them, the hopeless grief of those poor colored people affected me more than almost anything else.”

“The way to get through anything mentally painful is to take it a little at a time. The mind can't handle dealing with a massive iceberg of pain in front of it, but it can deal with short nuggets that will come to an end. So instead of thinking, Ugh, I've got twenty-four miles to go, focus on making it to the next telephone pole in the distance. Whether you're running twenty or one hundred and twenty miles at a time, the distance has to be tackled mentally and physically one mile at a time. The ability to compartmentalize pain into these small bite sizes is key.”

“Well, Buttermere, this is a day that is good to live and breathe in, that makes a man feel in his prime. Standing here in front of my house, I feel as young as when I moved into it thirty years ago, in the year eighteen hundred and fifty-nine. What aged man would you take me to be, as I step as it were casually into your view?”

“My wife Ann and I had been digging during the day, transplanting lilies from the front of this abandoned farmhouse back down the road to where we live. We finished. She was tired and laid in the grass. I took a picture. The house is now gone. The walnut trees have been bulldozed and burned. I saw this picture the other day for the first time in years and realized how photographing life within a hundred yards of my front porch had helped me focus on everything I cared about.”

“At a time when the respectable bourgeois youngsters of my generation were college freshmen, oppressed by simian sophomores and affronted with balderdash daily and hourly by chalky pedagogues, I was at large in a wicked seaport of half a million people, with a front seat at every public show, as free of the night as of day, and getting earfuls of instruction in a hundred giddy arcana, none of them taught in schools.... [But] if I neglected the humanities, I was meanwhile laying in all the worldly wisdom of a police lieutenant, a bartender, a shyster lawyer, or a midwife.”

“I like the adrenaline of live performance, whatever that is, appearing in front of an audience of any kind, whether it's one or a hundred or a thousand. It gives you a buzz of adrenaline, its exciting. The thing about that is that you want to make those nerves work for you in terms of an energy that's appropriate for the part and the performance, and not to distract the people who are watching so that they become nervous for you.”

“And from the first moment that I ever walked on stage in front of a darkened auditorium with a couple of hundred people sitting there, I was never afraid, I was never fearful, I didn't suffer from stage fright, because I felt so safe on that stage. I wasn't Patrick Stewart, I wasn't in the environment that frightened me, I was pretending to be someone else, and I liked the other people I pretended to be. So I felt nothing but security for being on stage. And I think that's what drew me to this strange job of playing make-believe.”

“The most scared I'd ever been was the first time I sang at a rugby match, Australia versus New Zealand, in front of one hundred thousand people. I had a panic attack the night before because people have been booed off and never worked again... just singing one song, the national anthem.”

“You have a lot of educating to do hip-hop wise in Europe. When you tour, when you go out there, most of the people that come see you at the venue listen to a lot of different kinds of music, not only hip-hop; they're not heads. From time to time you're going to do a little concert in front of three or four hundred people that are only hip-hop heads and they're going to understand and know all about the gimmicks and the swagger but the rest of the people are just regular European people that listen to pop [or] rock & roll.”

“I definitely isolate, but I also always have people in front of me, and I have to be OK with that. I'm in a business where, on the set, you're around two hundred people every day, and if you're high on the call sheet, you sort of set the tone for the set. And you want people to feel appreciated, and you want to ask them how their kids are. You want to talk to people and invest in them and let them know that they're appreciated and heard. But then I do like to just kind of withdraw.”

“It's not by coincidence that a lot of protesters against the new presidency in America and in front of the Trump Tower, even in London... the protesters were 90 percent women. The image of the woman and the problem of the woman still exists. Not exactly in the same terms as 200 hundred years ago, but we still have the problem here.”

“I flung open the door. I got a momentary flash of about a hundred and fifteen cats of all sizes and colours scrapping in the middle of the room, and then they all shot past me with a rush and out of the front door; and all that was left of the mobscene was the head of a whacking big fish, lying on the carpet and staring up at me in a rather austere sort of way, as if it wanted a written explanation and apology.”

“Will's face turned grave. "Be careful with it, though. It's six hundred years old and the only copy of its kind. Losing or damaging it is punishable by death under the Law." Tessa thrust the book away from her as if it were on fire. "You can't be serious." "You're right. I'm not." Will leapt down from the ladder and landed lightly in front of her. "You do believe everything I say, though, don't you? Do I seem unusually trustworthy to you, or are you just a naive sort?”