“I think in that context, when a generation of kids is that ignorant of their recent history, it does a good job of showing what the Pistols were standing for. It's current and it's in the air, partly because I think nothing contemporary is as extreme or as strongly stated as what The Sex Pistols were able to do in their time, in the '70s. I think the reason to [make the film] is that their ideas are still alive: the defense of the right to be an individual, and questioning everything you read, and questioning all the information that's bombarded increasingly at you.” ThinkingDoeStillsIdeasReasonKidsAbleJobsFilmIndividualSexAliveGenerationsAirInformationStandingCurrentsExtremesDefenseIgnorantContemporaryQuestioningGood JobPistolsBombardedSex PistolsQuestioning Everything Author:Julien Temple
“In the early days of my carer as an actor, I shared what was then the prevailing attitude of Negro performers :;that the content and form of a play or a film scenario was of little importance to us. What mattered was was the opportunity, which came so seldom to our folks ... Later I came to understand that the Negro artist could not view the matter simply in terms of of his individual interests, and that he had a responsibility to his people who rightfully resented the traditional stereotyped portrayals of Negros on stage and screen.” PeopleLittlesMatterPlayFilmFormArtistActorsOpportunityIndividualTermInterestViewsAttitudeResponsibilityStageImportanceFolksScreensTraditionalPerformersScenariosPrevailingPortrayal Author:Paul Robeson
“Popular culture as a whole is popular, but in today's fragmented market it's a jostle of competing unpopular popular cultures. As the critic Stanley Crouch likes to say, if you make a movie and 10 million people go see it, you'll gross $100 million - and 96 per cent of the population won't have to be involved. That alone should caution anyone about reading too much into individual examples of popular culture.” PeopleIfsShouldWholeTodayFilmCultureReadingIndividualMillionsToo MuchExampleInvolvedHollywoodCriticsPopulationLikesCentsCompetingGrossCautionPopular CultureStanleyFragmented Author:Mark Steyn
“The capacity for loving strangers, whether one thinks of them as fictional beings or stars one will never meet, is a profound reflection on the new consciousness whereby every individual leads his or life while aware of all the billions of other people on Earth. Perhaps it is a fantasy or a fallacy that we can feel for so many strangers. Perhaps it is a mask for selfishness. But no matter the modern stress on special effects, there isn't a sight in movies as momentous as shots of a face as its mind is being changed. And only movies have allowed that.” PeopleThinkingFeelsMindMatterEarthFilmFacesIndividualStarsConsciousnessFantasyModernSpecialEffectsChangedReflectionShotsCapacityHollywoodSightStressProfoundStrangerBillionsSelfishnessMaskFallacySpecial Effects Author:Edward Jay Epstein
“I really have no preference between TV and film. I think that each individual project is its own thing and has a very different style.” ThinkingDifferentFilmIndividualStyleTvsProjectsPreferenceDifferent Styles Author:Zach Gilford
“We already have so much pressure towards sameness through radio, film and comic outside the school, that we can't afford to do a thing inside that is not toward individual development.” SchoolFilmIndividualEducationDevelopmentPressureRadioComicSameness Book:Teacher Source: Teacher
“A book is maybe about 350 pages, and the prose allows for readers to get a glimpse into the internal lives of the characters. A screenplay is 120 pages, and it's all dialogue and action. The pacing of films is different, the structure is often different, and the internal lives of the characters must come across through the acting. Movies are just a different experience than reading - so it just depends on what an individual prefers.” BookDifferentCharacterActionFilmReadingIndividualActingDependsReaderPagesStructureDialogueProseInternalsGlimpseScreenplaysPacingDifferent Experiences Author:Nicholas Sparks