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“People come up to me at conventions and say, 'I was such an outcast, I felt like such a geek, and when I saw you, you made me feel like such a normal person.' It's my favorite thing to hear, because that's how I felt when I was a kid. If Goth would've been around, I would've definitely been Goth. But there wasn't such a thing, so I was just weird.”

“I was standing on the highest mountain of them all, and round about beneath me was the whole hoop of the world. And while I stood there I saw more than I can tell and I understood more than I saw; for I was seeing in a sacred manner the shapes of all things in the spirit, and the shape of all shapes as they must live together like one being. And I saw that the sacred hoop of my people was one of many hoops that made one circle, wide as daylight and as starlight, and in the center grew one mighty flowering tree to shelter all children of one mother and one father. And I saw that it was holy.”

“I had always made pictures as I thought I saw the world, focusing on what lay in front, but this is not how one sees the world. It only frames the centre and cuts off the lateral vision, which lies unfocused. Now I found that I could turn my eye to the adjacent field of vision, seeing another focus, an extension which I added to the original. Instead of stopping at two focuses, I looked further to the side, adding another and yet another.”

“In Bergman's world I represented a sort of intellectual, skeptical, ironic person, rather cold and frustrated. When I went abroad and made films in Italy and other places, I was used in different ways. I was rather often cast as crazy people, maniacs. It was very good for me and it was fun because it is nice to play crazy people if you are not in reality. And I think perhaps that changed how Ingmar saw me. Suddenly I was on the more magical side of his world, playing the people with fantasies, variety, the artists.”

“I don't remember ever being see-saw, when I'd made my mind up that a thing was wrong. It takes the taste out o' my mouth for things, when I know I should have a heavy conscience after 'em. I've seen pretty clear, ever since I could cast up a sum, as you can never do what's wrong without breeding sin and trouble more than you can ever see. It's like a bit o' bad workmanship--you never see th' end o' the mischief it'll do. And it's a poor look-out to come into the world to make your fellow creatures worse off instead o' better.”