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May Quotes

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May Quotes

“The new painters do not propose, any more than did their predecessors, to be geometers. But it may be said that geometry is to the plastic arts what grammar is to the art of the writer. Today, scholars no longer limit themselves to the three dimensions of Euclid. The painters have been lead quite naturally, one might say by intuition, to preoccupy themselves with the new possibilities of spatial measurement which, in the language of the modern studios, are designated by the term fourth dimension.”

“A Rook is of the value of five Pawns and a fraction, and may be exchanged for a minor Piece and two Pawns. Two Rooks may be exchanged for three minor Pieces.”

“Where two or three are met together, the prayer of one strikes fire from the soul of another; and the latter in his turn leads the way to nobler heights of devotion. And lo! as their joy increases, there is One in their midst whom they all recognize and cling to. He was there before, but it is only when their hearts begin to burn that they recognize Him; and in a true sense they may be said to bring Him there.”

“The peculiarity of sculpture is that it creates a three-dimensional object in space. Painting may strive to give on a two-dimensional plane, the illusion of space, but it is space itself as a perceived quantity that becomes the peculiar concern of the sculptor. We may say that for the painter space is a luxury; for the sculptor it is a necessity.”

“It's been an incredible few weeks for Emma Pooley, first winning three stages in the Giro Rosa to demonstrate that she's the best climber in the women's peloton, then lining up for La Course - a race she helped to make happen - on the Champs-Elyses. So, it may come as a surprise to hear that she will retire after the Commonwealth Games road race on Sunday.”

“Only to two or three persons in all the world are the reminiscences of a man's early youth interesting: to the parent who nursed him; to the fond wife or child mayhap afterwards who loves him; to himself always and supremely--whatever may be his actual prosperity or ill fortune, his present age, illness, difficulties, renown, or disappointments--the dawn of his life still shines brightly for him, the early griefs and delights and attachments remain with him ever faithful and dear.”

“Pearl Harbor is a two-hour movie squeezed into three hours, about how on December 7, 1941, the Japanese staged a surprise attack on an American love triangle. Its centerpiece is 40 minutes of redundant special effects, surrounded by a love story of stunning banality. The film has been directed without grace, vision, or originality, and although you may walk out quoting lines of dialog, it will not be because you admire them.”