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Memories Quotes

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Memories Quotes

“If all stories are fiction, fiction can be true -- not in detail or fact, but in some transformed version of feeling. If there is a memory of paradise, paradise can exist, in some other place or country dimensionally reminiscent of our own. The sad stories live there too, but in that country, we know what they mean and why they happened. We make our way back from them, finding the way through a bountiful wilderness we begin to understand. Years are nothing: Story conquers all distance.”

IfsKnowsWayYearsMeanCountryFactsStoriesFeelingsMemoriesFictionHappenedFindingsDistanceDetailsVersionsBeing TrueConquerParadiseWildernessTransformedSad Story
Author:Jayne Anne Phillips
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“As for the square at Meknes, where I used to go every day, it's even simpler: I do not see it at all anymore. All that remains is the vague feeling that it was charming, and these five words that are indivisibly bound together: a charming square at Meknes. ... I don't see anything any more: I can search the past in vain, I can only find these scraps of images and I am not sure what they represent, whether they are memories or just fiction.”

I CanFeelingsTogetherPastUsedMemoriesFictionFiveRemainsBoundsVainNot SureSquaresCharmingVagueScrapAll That Remains
Book:Nausea
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“It is worth repeating that powerful imagination is not false outward vision, but intense inward representation, and a creative energy constantly fed by susceptibility to the veriest minutiæ of experience, which it reproduces and constructs in fresh and fresh wholes; not the habitual confusion of provable fact with the fictions of fancy and transient inclination, but a breadth of ideal association which informs every material object, every incidental fact with far-reaching memories and storied residues of passion, bringing into new light the less obvious relations to human existence.”

HumansFactsLightPassionEnergyImaginationMemoriesPowerfulExistenceFictionVisionCreativeObjectsMaterialsIdealsRelationObviousIntenseConfusionFancyReachingFedsAssociationInwardRepresentationConstructsInclinationHuman ExistenceHabitualTransientBreadthCreative EnergySusceptibility
Author:George Eliot
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“the habit of generalizing from one particular, that mainstay of the cheap and obvious essayist, has rooted many fictions in the public eye. Nothing, for example can blot from my memory the profound, searching, and exhaustive analysis of a great nation which I learned in my small geography when I was a child, namely, 'The French are a gay and polite people fond of dancing and light wines.”

PeopleChildrenLightEyeNationsMemoriesFictionExampleParticularHabitGayWineDancingProfoundObviousAnalysisRootedPoliteGeographyGreat NationsPublic EyeEssayists
Author:Kate Douglas Wiggin
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“I like the idea all memory is fiction, that we have queued a couple of things in the back of our minds and when we call forth those memories, we are essentially filling in the blanks. We're basically telling ourselves a story, but that story changes based on how old we are, and what mood we're in, and if we've seen photographs recently. We trust other people to tell us the story of our lives before we can remember it, and usually that's our parents and usually it works, but obviously not always. And everybody's interpretation is going to be different.”

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Author:Steven Tyler
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“to look back on one's life is to experience the capriciousness of memory. ... the past is not static. It can be relived only in memory, and memory is a device for forgetting as well as remembering. It, too, is not immutable. It rediscovers, reinvents, reorganizes. Like a passage of prose it can be revised and repunctuated. To that extent, every autobiography is a work of fiction and every work of fiction an autobiography.”

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Book:Time to Be in Earnest
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