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Creative Energy Quotes

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Creative Energy Quotes

“In a reverse way, sharing my mother's long, slow dying consumes my creative energy. I manage one angry and bitter story, and feel better for it, but most of me is involved in Mother's battle. Watching her slowly being snuffed out is the opposite of pregnancy, depleting instead of fulfilling: I am exhausted by conflict.”

“If we think deeply about our childhood, not just about our memories of it but how it actually felt, we realize how differently we experienced the world back then. Our minds were completely open, and we entertained all kinds of surprising, original ideas. Things that we now take for granted, things as simple as the night sky or our reflection in a mirror, often caused us to wonder. Our heads teemed with questions about the world around us. Not yet having commanded language, we thought in ways that were preverbal—in images and sensations. When we attended the circus, a sporting event, or a movie, our eyes and ears took in the spectacle with utmost intensity. Colors seemed more vibrant and alive. We had a powerful desire to turn everything around us into a game, to play with circumstances. Let us call this quality the Original Mind. This mind looked at the world more directly—not through words and received ideas. It was flexible and receptive to new information. [...] Masters and those who display a high level of creative energy are simply people who manage to retain a sizeable portion of their childhood spirit despite the pressures and demands of adulthood. This spirit manifests itself in their work and in their ways of thinking. Children are naturally creative. They actively transform everything around them, play with ideas and circumstances, and surprise us with the novel things they say or do. [...] Masters not only retain the spirit of the Original Mind, but they add to it their years of apprenticeship and an ability to focus deeply on problems or ideas. This leads to high-level creativity. Although they have profound knowledge of a subject, their minds remain open to alternative ways of seeing and approaching problems. They are able to ask the kinds of simple questions that most people pass over, but they have the rigor and discipline to follow their investigations all the way to the end. They retain a childlike excitement about their field and a playful approach, all of which makes the hours of hard work alive and pleasurable. Like children, they are capable of thinking beyond words—visually, spatially, intuitively—and have greater access to preverbal and unconscious forms of mental activity, all of which can account for their surprising ideas and creations.”

“I believe that Gaston Cleric narrowly missed being a great poet, and I have sometimes thought that his outbursts of imaginative talk were fatal to his poetic gift. He squandered too much in the heat of personal communication. How often have I seen him draw his dark brows together, fix his eyes upon some object on the wall or a figure in the carpet, and then flash into the lamplight the very image that was in his brain.”

“A man who is morally clean, other things being equal, has in every instance, greater agility, greater capacity, and greater endurance by far than the man who is not. While the latter is wasting his creative energies in useless pleasures, as well as in disease producing habits, the former is turning all of his creative energy into ability and genius, and the result is evident.”

“It is worth repeating that powerful imagination is not false outward vision, but intense inward representation, and a creative energy constantly fed by susceptibility to the veriest minutiæ of experience, which it reproduces and constructs in fresh and fresh wholes; not the habitual confusion of provable fact with the fictions of fancy and transient inclination, but a breadth of ideal association which informs every material object, every incidental fact with far-reaching memories and storied residues of passion, bringing into new light the less obvious relations to human existence.”

“Creativity is basically a feminine process. I'm convinced that we have in our soul, everybody, this masculine side and this feminine side. So at the end of the day, you always use this feminine creative energy to write or to do any type of art or creativity. So if I see that my protagonist is feminine, it's not more difficult, no. And even when my protagonist is masculine, I'm writing from using this feminine energy.”

“Simply put, we have to be smart about how we use our power. Not because we have less of it – indeed, the might of our military, the size of our economy, the influence of our diplomacy, and the creative energy of our people remain unrivaled. No, it's because as the world has changed, so too have the levers of power that can most effectively shape international affairs.”

“It isn't so much that God is the unified state of consciousness that each of us came from and will return to, but more so that God is the creative energy flowing between all states of consciousness. God is in the land beyond the mountains, but God is also in the mountains and in the valley of illusions cradled within the mountains. God is not one thing or another, rather God flows between and through all things.”

“It takes an enormous amount of energy, creative energy withdrawn from the total economy of the person, to hold a trait underground, and, unfortunately, needs and drives do not go underground alone; they carry with them useful parts of the personality, depriving it of richness and the possibility of a variety of response.”

“We, as spiritual beings, created the physical world as a place to learn. It's our school, our playground, our artist's studio. I beleive that we're here to master the process of creation - to learn how to consciously channel the creative energy of spirit into physical form.”

“Creative energy manifests in the 'aura' of the environment - the distinct atmosphere, quality and 'air of the place.' It has a contagious effect on people. When we walk into the environment, we know immediately whether or not the energy is present. Most of us need communities as sources of motivation and vitality; and in keeping with the basic movements of energy in nature, people charge one another in positive and negative ways.”

“Not the wretchedest man or woman but has a deep secretive mythology with which to wrestle with the material world and to overcome it and pass beyond it. Not the wretchedest human being but has his share in the creative energy that builds the world. We are all creators. We all create a mythological world of our own out of certain shapeless materials.”

“Like it or not, we live in interesting times. They are times of danger and uncertainty; but they are also the most creative of any time in the history of mankind. And everyone here will ultimately be judged - will ultimately judge himself - on the effort he has contributed to building a new world society and the extent to which his ideals and goals have shaped that effort.”

“Fear kills, want to kill. Fear is destructive. Love is creative energy. When you love you would like to create - you may like to sing a song, paint, write poetry, but you would not take a bayonet or an atom bomb and go rushing off madly to kill people who are absolutely unknown to you, who have done nothing, who are as unknown to you as you are to them.”

“I'll force myself to sit down and read a couple of chapters of a great book or I'll force myself to sit and listen to some amazing music or I'll go see a play. I find that watching or experiencing other forms of art gets my brain in action. It makes me feel connected to the creative energies and then that tends to get things going.”

“We wasted a lot of creative energy in that immediate post colonial era, when there was a struggle between, you know, the Cold War between the capitalism and communism. Many writers just wasted their energy and their talent because they want to be ideologically correct and of course all they produced was propaganda.”

“A creative man is motivated by the desire to achieve, not by the desire to beat others.”