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“In reality, the likelihood of reaching the pinnacle of capitalist society today is only marginally better than were the chances of being accepted into the French nobility four centuries ago, though at least an aristocratic age was franker, and therefore kinder, about the odds. It did not relentlessly play up the possibilities open to all, and so, in turn, did not cruelly equate an ordinary life with a failed one.”

“I don't particularly care about having [my characters] talk realistically, that doesn't mean very much to me. Actually, a lot of people speak more articulately than some critics think, but before the 20th century it really didn't occur to many writers that their language had to be the language of everyday speech. When Wordsworth first considered that in poetry, it was considered very much of a shocker. And although I'm delighted to have things in ordinary speech, it's not what I'm trying to perform myself at all: I want my characters to get their ideas across, and I want them to be articulate.”

“Time in China has no immediacy as in America. Here I find the swift passage of our few earthly years accepted as naturally as the fall of flower and leaf. ... I hear and speak a language in which grammar has no tense. Both scholars and illiterates, in ordinary daily speech, tell an event of centuries ago as casually as an incident of the hour. Only as my knowledge has accumulated have I been able to know whether something related happened just then or in some past dynasty.”

“the solution to racism lies in our ability to see its ubiquity but not to concede its inevitability. It lies in the collective and institutional power to make change, at least as much as with the individual will to change. It also lies in the absolute moral imperative to break the childish, deadly circularity of centuries of blindness to the shimmering brilliance of our common, ordinary humanity.”

“The moment in the account of Adam and Eve in the book of Genesis is when they realize they're naked and try and cover themselves with fig leaves. That seemed to me a perfect allegory of what happened in the 20th century with regard to literary modernism. Literary modernism grew out of a sense that, “Oh my god! I'm telling a story! Oh, that can't be the case, because I'm a clever person. I'm a literary person! What am I going to do to distinguish myself?...a lot of modernism does seem to come out of a fear of being thought an ordinary storyteller.”

“There is a great need for a new approach, new methods and new tools in teaching, man's oldest and most reactionary craft. There is great need for a rapid increase in the productivity of learning. There is, above all, great need for methods that will make the teacher effective and multiply his or her efforts and competence. Teaching is, in fact, the only traditional craft in which we have not yet fashioned the tools that make an ordinary person capable of superior performance. In this respect, teaching is far behind medicine, where the tools first became available a century or more ago.”

“Seriously. It was running out at Rolling Stone. First of all, they didn't feel the need for a dissident conservative voice in a world where certain conservative aspects had become intellectually dominant. I would actually argue against that, but on the surface of it, in the [Bill] Clinton years the market economy triumphed, certain libertarian ideas became ordinary, and certain early-20th-century ideas about centralization of government and economic planning and socialism with a small "s" had obviously gone out the window. The Cold War was over, blah blah blah.”

“Wine lovers have known for centuries that decanting wine before serving it often improves its flavor. Whatever the dominant process, the traditional decanter is a rather pathetic tool to accomplish it. A few years ago, I found I could get much better results by using an ordinary kitchen blender.”