“And what you do is you go into where your anger is, if you're writing anger, you go into where your hatred is, if you're writing hatred. Your joy is, if you're writing joy. You find the source of the energy that draws hatred, anger, joy, etc., etc., etc. That's what you have to find. That's what you do as an actor and that's what you do as a writer. And you bring people to the page.” PeopleIfsWritingJoyActorsEnergySourcePagesDrawsHatredEtc Author:Timothy Findley
“I know I draw without taking my pen off the page. I just keep going, and that my drawings I think of them as scribbles. I don't think they mean anything to anybody except to me, and then at the end of the day, the end of the project, they wheel out these little drawings and they're damn close to what the finished building is and it's the drawing.” ThinkingKnowsMeanLittlesEndsBuildingProjectsPagesDrawsFinishedDrawingDamnWheelsThe End Of The DayKeep GoingPensScribbles Author:Frank Gehry
“Thought engenders thought. Place one idea on paper, another will follow it, and still another, until you have written a page; you cannot fathom your mind. There is a well of thought which has no bottom; the more you draw from it, the more clear and fruitful it will be.” MindWellsStillsIdeasClearWrittenPaperPagesDrawsBottomFathom Author:George Augustus Henry Sala
“As an artist, as I design and lay out a page, the less-important things, things I want you to spend less time looking at, I draw them very small, maybe even silhouette them. The more-important pivotal scenes, I draw them larger, maybe even a double-page spread.” WantImportantArtistDesignScenePagesDrawsImportant ThingsLaysSpreadI Want YouSilhouettesPivotal Author:Jim Lee
“I guess what inspires me most is the desire to draw out feelings that feel best expressed on the written page by really good authors, and I'm not a really good author. I feel like my job as a filmmaker is to eff the ineffable, to take feelings that only poets could describe with words and try to project them on the screen for viewers to feel. I don't think I've succeeded once but in the act of trying I've come up with all these other results which sometimes intrigue me.” ThinkingFeelsTryingSometimesFeelingsJobsDesireResultsWrittenInspirePoetProjectsPagesDrawsCome UpScreensFilmmakerViewersIntrigueIneffableGood Authors Author:Guy Maddin
“If you want to draw people into the story, you really have to write as if you're writing a novel and make these actually-existing people, including the actually-existing person with my name, into a believable person on the page. And that requires distance. That requires not being right up against the events you're talking about.” PeopleIfsWantWritingPersonsStoriesNamesTalkingNovelEventsPagesDrawsDistanceIncludingBelievable Author:Salman Rushdie
“Images cluttered the pages, but one tattoo set her nerves on edge; inky black eyes surrounded by wings likes shadows coalescing. Mine. The thought, the need, the reaction was overpowering. Leslie looked up. "This one." she said. "I need this one. But the image is more than just tempting art, and it draws her into a world of shadows and desire- into the world of Faerie.” WorldNeedsArtSaidEyeDesireBlackMinesPagesDrawsShadowWingsEdgesLikesReactionsNervesTattooFaerieTemptingOverpoweringBlack EyesLeslie Author:Melissa Marr
“As I see it, a successful story of any kind should be almost like hypnosis: You fascinate the reader with your first sentence, draw them in further with your second sentence and have them in a mild trance by the third. Then, being careful not to wake them, you carry them away up the back alley of your narrative and when they are hopelessly lost within the story, having surrendered themselves to it, you do them terrible violence with a softball bag and then lead them whimpering to the exit on the last page. Believe me, they'll thank you for it.” ShouldFirstsBelieveKindStoriesLastsLostSuccessfulViolenceReaderTerriblePagesDrawsThirdsCarefulSentencesNarrativeBagsBelieve In MeExitSoftballAlleysTranceHypnosisBack Alleys Author:Alan Moore