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“Whatever is felt upon the page without being specifically named there - that, one might say, is created. It is the inexplicable presence of the thing not named, of the overtone divined by the ear but not heard by it, the verbal mood, the emotional aura of the fact or the thing or the deed, that gives high quality to the novel or the drama, as well as to poetry itself.”

“Books are frozen voices, in the same way that musical scores are frozen music. The score is a way of transmitting the music to someone who can play it, releasing it into the air where it can once more be heard. And the black alphabet marks on the page represent words that were once spoken, if only in the writer's head. They lie there inert until a reader comes along and transforms the letters into living sounds. The reader is the musician of the book: each reader may read the same text, just as each violinist plays the same piece, but each interpretation is different.”

“We go from Malachi to Matthew in one page of our scriptures, but that one piece of paper that separates the Old Testament from the New Testament represents 400 years of history - 400 years where there wasn't a prophet, 400 years where God's voice wasn't heard. And that silence was broken with the cry of a baby on Christmas night.”

“Ellen [Page] and I had only met a couple of times, but had mutual admiration for each other's work. When I first heard about the film [Into the Forest], I was excited to get a chance to work with one of my peers because it's usually one or the other. You don't get to work with all of the other actors that you're usually competing with.”

“I heard of Martin Luther King Jr. when I was 15 years old. I heard of Rosa Parks. And I met Dr. King in 1958 at the age of 18. I met Rosa Parks ... But to pick up a fun comic book - some people used to call them "funny books" - to pick this little book up, it sold for 10 cents, 12 pages or 14 pages? 14 pages I digested. And it inspired me. And I said to myself, "If the people of Montgomery can do this, maybe I can do something. Maybe I can make a contribution."”

“[Peter Pan] has never broken his terrible habit of eavesdropping. So, maybe that wasn't the rustle of pages you heard while this story lasted, but Peter Pan himself, listening in. In exchanged for a story of yours, he might show you his most prized possession: James Hooks' map of Neverland. In exchange for a smile, he may show you Neverland itself.”