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Montgomery Quotes

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Montgomery Quotes

“During the rush hours the sidewalks were crowded with laborers and domestic workers, many of them well past middle age, trudging patiently to their jobs and home again, sometimes as much as twelve miles. They knew why they walked, and the knowledge was evident in the way they carried themselves. And as I watched them I knew that there is nothing more majestic than the determined courage of individuals willing to suffer and sacrifice for their freedom and dignity.”

“[The Montgomery Bus Boycott] is not a drama with only one actor. More precisely it is the chronicle of 50,000 Negroes who took to heart the principles of nonviolence, who learned to fight for their rights with the weapon of love, and who in the process, acquired a new estimate of their own human worth.”

“But this discontent was still latent in 1954. At that time both Negroes and whites accepted the well-established patterns of segregation as a matter of fact. Hardly anyone challenged the system. Montgomery was an easy-going town; it could even have been described as a peaceful town. But the peace was achieved at the cost of human servitude.”

“But there comes a time when people get tired of being trampled by oppression. There comes a time when people get tired of being plunged into the abyss of exploitation and nagging injustice. The story of Montgomery is the story of 50,000 such Negroes who were willing to substitute tired feed for tired souls, and walk the streets of Montgomery until the walls of segregation were finally battered by the forces of justice.”

“Many historians, with an ‘if only’ approach to the British defeat, have focused so much on different aspects of Operation Market Garden which went wrong that they have tended to overlook the central element. It was quite simply a very bad plan right from the start and right from the top. Every other problem stemmed from that.”

“Mayor Gayle, Commissioner Sellers, and several white reporters had reached the house before I did [after the bombing] and were standing in the dining room. After reassuring myself about my family's safety, I went to speak to them. Both Gayle and Sellers expressed their regret that "this unfortunate incident has taken place in our city." One of the trustees of my church, who is employed in the public school system of Montgomery, was standing beside me when the mayor and commissioner spoke. Although in a vulnerable position, he turned to the mayor and said: "You may express your regrets, but you must face the fact that your public statements created the atmosphere for this bombing. This is the end result of your 'get-tough' policy." Neither Mayor Gayle nor Commissioner Sellers could reply.”

“The bus struggle in Montgomery, Alabama, is now history. As the integrated buses roll daily through the city they carry, along with their passengers, a meaning-crowded symbolism. Accord among the great majority of passengers is evidence of the basic good will of man for man and a portent of peace in the desegregated society to come. Occasional instances of discord among passengers are a reminder that in other areas of Montgomery life segregation yet obtains with all of its potential for group strife and personal conflict. Indeed, segregation is still a reality throughout the South. Where do we go from here? Since the problem in Montgomery is merely symptomatic of the larger national problem, where do we go not only in Montgomery but all over the South and the nation? Forces maturing for years have given rise to the present crisis in race relations. What are these forces that have brought the crisis about? What will be the conclusion? Are we caught in a social and political impasse, or do we have at our disposal the creative resources to achieve the ideals of brotherhood and harmonious living?”

“Sir," I said, "you have never had real peace in Montgomery. You have had a sort of negative peace in which the Negro too often accepted his state of subordination. But this is not true peace. True peace is not merely the absence of tension; it is the presence of justice. The tension we see in Montgomery today is the necessary tension that comes when the oppressed rise up and start to move forward toward a permanent, positive peace.”

“There is another side to the picture: it is the white community of Montgomery, long led or intimidated by a few extremists, that finally turned in disgust on the perpetrators of crime in the name of segregation. The change should not be exaggerated. The White Citizens Council is still active. Confessed bombers still win their freedom in the courts. And opposition to integration is still the rule. Yet by the end of the bus struggle it was clear that the vast majority of Montgomery's whites preferred peace and law to the excesses performed in the name of segregation. And even though the many saw segregation as right because it was the tradition, there were always the courageous few who saw the injustice in segregation and fought against it side by side with the Negroes.”

“Re: Robert Montgomery's Poems His writing bears the same relation to poetry which a Turkey carpet bears to a picture. There are colours in the Turkey carpet out of which a picture might be made. There are words in Mr. Montgomery's writing which, when disposed in certain orders and combinations,have made, and will make again, good poetry. But, as they now stand, they seem to be put together on principle in such a manner as to give no image of anything in the heavens above, or in the earth beneath, or in the waters under the earth.”

“Tucker was my safe place for three years, my secure dock in a sea of indecision as I dealt with my father's illness and death. And now I had to sink or swim. It was time to let go...and move on. Slowly, I pushed off from the dock that was Tucker Montgomery and prepared to swim...praying I wouldn't drown.”

“I thought I was going to die a few times. On the Freedom Ride in the year 1961, when I was beaten at the Greyhound bus station in Montgomery, I thought I was going to die. On March 7th, 1965, when I was hit in the head with a night stick by a State Trooper at the foot of the Edmund Pettus Bridge, I thought I was going to die. I thought I saw death, but nothing can make me question the philosophy of nonviolence.”

“Military metaphors are rarely exact, but sending Republicans against Democrats when the issue hangs in the balance is nearly always as futile as sending George B. McClellan against Robert E. Lee, the Italians against Marshal Montgomery's desert rats or an Arab armored division against an Israeli rifle company. The copy desk can write the headline before the battle begins and take the rest of the night off.”

“My first love in music was jazz, but I like it all," "I reacted emotionally to Art Blakey and, of course, to Joe Pass and Wes Montgomery. I was all of 16 when I had my first guitar lesson with Joe. But I never focused on being a bebop player. I loved the harmony, rhythm and phrasing, but I wanted to apply them to my own concept and sound.”

“Living in Montgomery, I've been antagonized by the emergence of a narrative about our history that I believe is quite false and misleading, and actually dangerous. And the narrative that emerges when you spend time in the South - places likes Alabama, Georgia, Mississippi, Louisiana - is that we have always been a noble, wonderful, glorious region of the country, with wonderful, noble, glorious people doing wonderful, noble, glorious things. And there's great pride in the Alabamians of the nineteenth century.”

“The landscape in Montgomery and in the South is just saturated with imagery. Markers are everywhere. There's a marker for the first Confederate post office, there's a marker for a ball that Robert E. Lee hosted, there's a marker for where Jefferson Davis had a meeting. We love reminding people about all that was going on in the mid-nineteenth century.”

“I do talk and think a lot about the legacy before me. I feel like if I didn't know that people had been in Montgomery sixty years ago trying to do similar things that I'm trying to do, with a lot less, with fewer resources, with less security, with less encouragement, with less opportunity - if I didn't know that, then I think doing what I do would be much, much harder.”

“I was probably just graduating high school, maybe still in high school. When I was still in high school, maybe the last two years, I was rapping but I wasn't telling anybody. When I signed my deal people didn't know it was the same Ryan Montgomery from Oak Park High School, because I used to play basketball and I used to fight. Like I'd bring boxing gloves to school. So when they found out, it was, "You mean Ryan who be boxing?" or, "Ryan who be hopping up at the park?" So I was known as that guy.”

“The last thing I want to do is having someone get behind a Montgomery Clift biopic, and then just do the first script that came out. Sometimes it takes a long time for these things to gestate. And I'm only going to do it if it's the right story that's told for the right reason, and that's relevant to this day and age, as much as it pays homage to who this man was. Should that happen during the time when I'm still young enough to play him, perfect. And if not, hopefully someone else will get to play him because I do think it's an incredible story.”

“I heard of Martin Luther King Jr. when I was 15 years old. I heard of Rosa Parks. And I met Dr. King in 1958 at the age of 18. I met Rosa Parks ... But to pick up a fun comic book - some people used to call them "funny books" - to pick this little book up, it sold for 10 cents, 12 pages or 14 pages? 14 pages I digested. And it inspired me. And I said to myself, "If the people of Montgomery can do this, maybe I can do something. Maybe I can make a contribution."”

“When I was growing up in rural Alabama, as a young child, about 50 miles from Montgomery, and we would visit the little town of Troy, or visit Montgomery or Tuskegee, I would see the signs that said, "WHITE MEN - COLORED MEN," "WHITE WOMEN - COLORED WOMEN."And I would come home and say to my mother and father and my grandparents, "Why?" "Why this?" "Why that?" And they would just tell me, "That's just the way it is! Don't get in the way. Don't cause trouble."”

“Nixon was the one force in Montgomery for a number of years that made any effort in the direction of challenging the power structure. Ed Nixon's source of direction for that comes out of his relationship with the Brotherhood of Sleeping Care Porters and the Randolph philosophy of mass action. So, Ed Nixon really was the force that conceived of the boycott and drew up the original papers for the boycott.”