“Photography is unlike any other art form. In the other arts there is always a continuous interplay between the artist and his art. He has the painting or sculpture before him. What we have tried to do is to provide a medium for "artistic expression" to anyone with only a reasonable amount of time. By giving him a camera system with which he need only control his selection of focus, composition and lighting, we free him to select the moment and to criticize immediately what he has done. We enable him to see what else he wants to do on the basis of what he has just learned.” WantNeedsGivingArtDoneMomentsFormArtistFocusPaintingExpressionAmountPhotographyBasesCamerasMediumsArtisticReasonableCriticizeCompositionSelectionSculptureSelectLightingArtistic Expression Author:Edwin Land
“There are different paths that one can pursue as a painter. I work with the thesis that I have not as yet reached my goal. This engagement is the necessary basis from which I plan new paintings.” DifferentGoalPathPlansPaintingBasesPursuePainterEngagementThesisDifferent Paths Author:Jorg Immendorff
“What a conception of art must those theorists have who exclude portraits from the proper province of the fine arts! It is exactly as if we denied that to be poetry in which the poet celebrates the woman he really loves. Portraiture is the basis and the touchstone of historic painting.” IfsArtPaintingPoetFineBasesCelebrateConceptionDeniedPortraitsHistoricFine ArtsProvincesTheoristsTouchstonesPortraiture Author:August Wilhelm von Schlegel
“Painting dissolves the forms at its command, or tends to; it melts them into color. Drawing, on the other hand, goes about resolving forms, giving edge and essence to things. To see shapes clearly, one outlines them--whether on paper or in the mind. Therefore, Michelangelo, a profoundly cultivated man, called drawing the basis of all knowledge whatsoever.” MenGivingMindHandsFormColorPaintingShapesPaperEssenceBasesEdgesDrawingCommandOutlines Author:Alexander Eliot
“The dominant problem of pictorial art since the nineteen-fifties is photography, and, by extension, film and video. The basilisk eye of the camera has withered the pride of handworked mediums. Painting survives on a case-by-case basis, its successes amounting to special exemptions from a verdict of history.” ArtProblemEyeFilmCasesSpecialPaintingPridePhotographyBasesCamerasVideoMediumsDominantExtensionsNineteenVerdictWitheredPictorialExemption Author:Peter Schjeldahl