“In effect, painting is the still memory of [the artist's] human motion, and our individual responses to it depend on who we are, on our character, which underlines the simple truth that no person leaves himself behind in order to look at a painting.” HumansLooksPersonsStillsCharacterArtistOrderIndividualMemoriesSimpleBehindsEffectsPaintingDependsResponseWho We AreSimple Truths Book:Mysteries of the Rectangle: Essays on Painting Source: Mysteries of the Rectangle: Essays on Painting
“If one were to ask a painter what he felt about anything, his just response - though he seldom makes it - would be to paint it, and in painting, to find out.” IfsWould BeAsksFeltPaintingResponsePaintPainter Author:Robert Motherwell
“It is in the intellectual and emotional response, the conscious and subconscious associations of the artist, that the potential power of painting lies.” LyingArtistPowerEmotionalPaintingIntellectualConsciousResponseAssociationSubconsciousEmotional Response Author:Thomas S. Buechner
“The environment becomes inspiration. My response to it becomes idea. And idea becomes purpose and action through interpretation and painting.” IdeasInspirationActionPurposeEnvironmentPaintingResponseInterpretation Author:Gerald Brommer
“Why was the painting made? What ideas of the artist can we sense? Can the personality and sensitivity of the artist be felt when studying the work? What is the artist telling us about his or her feelings about the subject? What response do I get from the message of the artist? Do I know the artist better because of the painting?” KnowsMadeIdeasFeelingsArtistFeltStudySubjectsPaintingPersonalityMessagesResponseSensitivity Author:Gerald Brommer
“Unlike music or poetry or painting, food rouses no response in passionate and emotional youth. Only when the surge of the blood is quieted does gastronomy come into its own with philosophy and theology and the sterner delights of the mind.” MindDoePhilosophyBloodFoodYouthEmotionalPaintingResponsePassionateDelightTheologyNo Response Book:The Documents in the Case Source: The Documents in the Case
“Painting, by its nature, cannot provide an object of simultaneous collective reception... as film is able to do today... And while efforts have been made to present paintings to the masses in galleries and salons, this mode of reception gives the masses no means of organizing and regulating their response. Thus, the same public which reacts progressively to a slapstick comedy inevitably displays a backward attitude toward Surrealism.” GivingMeanHas BeensMadeTodayAbleFilmEffortAttitudeComedyObjectsPaintingMassResponseCollectivesDisplayGallerySurrealismReceptionSimultaneousSalonsSlapstick Author:Walter Benjamin
“[Comics is] one of the last havens for honesty when it comes to a reader's genuine response to art. Most of us, if we don't find any sympathy or pleasure, for example, in a modern painting, are likely to blame our own ignorance of the history and theory of painting. But nobody pretends to like a bad comic strip. Such harshness is necessary for any real truth to surface, I think, and for art to really contribute anything to life. Though I don't know. I could be wrong.” IfsThinkingKnowsArtRealLastsPleasureModernHavensHonestyExampleIgnorancePaintingTheoryReaderBlameResponseSurfaceGenuineComicComic StripsHarshnessReal Truth Author:Chris Ware