“What I so like about Poussin and Cezanne is their sense of organization. Ilike the way in which they develop space and shape in architecturalcontinuity - the rhythm across their paintings. When I paint a landscape, Iget the greatest pleasure out of composing it. As I paint, I try to work outa visual sonata form or a fugue, with realistic images.” WayTryingFormSpacePleasurePaintingShapesOrganizationPaintWork OutRhythmLandscapeVisualsRealisticComposingGreatest PleasuresFugueSonatasCezanne Author:Ian Hornak
“I can always paint very well with my eyes, but with my hands it doesn't always work out.” WellsI CanHandsEyePaintingPaintWork Out Author:Kathe Kollwitz
“If you are someone like Jeff Koons, and you have to work out how to make a big chrome heart or something, then there are lots of people and a big production involved. The money is more natural somehow. For me, I am just on my own in the studio, trying to make things work. One thing is sure: it doesn't make painting any easier.” PeopleIfsTryingHeartBigsNaturalMy OwnOne ThingPaintingInvolvedEasierProductionsWork OutStudiosChrome Author:Peter Doig
“To my way of thinking, the concept drawings that Rembrandt did, the drawings he made that he used to model his artists, to work out the compositions of his paintings: those are cartoons. Look at his sketch for the return of the prodigal son. The expression on the angry younger brother's face. The head is down; the eyebrow is just one curved line over the eyes. It communicates in a very shorthand way. It's beautiful, expressive, and, in a peculiar way, it's more powerful than the kind of stilted, formalized expression in the final painting.” ThinkingWayLooksKindMadeEyeBeautifulFacesUsedArtistLinesPowerfulPaintingSonBrotherExpressionReturnModelsConceptsAngryFinalsCommunicateWork OutDrawingMy WayJust OnePeculiarCompositionCartoonEyebrowsWay Of ThinkingExpressiveProdigalsShorthandYounger BrotherProdigal Son Author:Jim Woodring
“In the studio, it took me a long time to work out how to make paintings that had the intensity that I was able to create by painting whole rooms. There is a very limited number of colours but there are many variations. I decided to use the purest palette that I could.” LongWholeUseAbleRoomsNumbersPaintingLong TimeDecidedWork OutStudiosColourIntensityVariationPalette Author:Michael Craig-Martin