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Paul Mccartney Quotes

Browse 14 quotes about Paul Mccartney.

Paul Mccartney Quotes

“We stood there for a minute or two, with John swaying gently against my arm. 'I'm feeling better,' he announced. Then he looked up at the stars. 'Wow..' he intoned. 'Look at that! Isn't that amazing?". I followed his gaze. The stars did look good but they didn't look that good. It was very unlike John to be over the top in that way. I stared at him. He was wired-pin-sharp and quivering, resonating away like a human tuning fork. No sooner had John uttered his immortal words about the stars than George and Paul came bursting out on the roof. They had come tearing up from the studio as soon as they found out where we were. They knew why John was feeling unwell. Maybe everyone else did, too - everyone except for father-figure George Martin here! It was very simple. John was tripping on LSD. He had taken it by mistake, they said - he had meant to take an amphetamine tablet. That hardly made any difference, frankly; the fact was that John was only too likely to imagine he could fly, and launch himself off the low parapet that ran around the roof. They had been absolutely terrified that he might do so. I spoke to Paul about this night many years later, and he confirmed that he and George had been shaken rigid when they found out we were up on the roof. They knew John was having a what you might call a bad trip. John didn't go back to Weybridge that night; Paul took him home to his place, in nearby Cavendish Road. They were intensely close, remember, and Paul would do almost anything for John. So, once they were safe inside, Paul took a tablet of LSD for the first time, 'So I could get with John' as he put it- be with him in his misery and fear. What about that for friendship?”

“Relations had soured to the point that when the Beatles attempted Lennon’s song ‘Across the Universe’ Paul McCartney complained, ‘There’s an oriental influence that shouldn’t really be there’ and pretended that he was talking about music.”

“In the wake of Cold Turkey’s, his debut song for Yoko’s Plastic Ono Band, dismal engagement with his listening public, Lennon prepared fresh edits of two songs he’d recorded earlier, What’s the New Mary Jane and You Know My Name, and announced that they would be rush-released as a Plastic Ono Band single. Just as quickly, the project was cancelled, with Apple explaining, ‘It was mutually decided by the Beatles that it sounded more like the Beatles themselves than the Plastic Ono Band’ – not least because both songs were indeed Beatles recordings. McCartney’s reaction to Lennon’s attempted theft can easily be imagined.”

“The death of their manager Brian Epstein was the beginning of the end for The Beatles. While Yoko Ono did try to fill the power vacuum and exacerbate the cracks created by Epstein's loss, she was not solely responsible for The Fab Four's demise. As with every big event, there are many actors, factors and complexities at play and no one simple explanation for everything.”

“Bruce has always been so nice to me, which is crazy, because he's one of my heroes. I'll never forget being at a Rock and Roll Hall of Fame ceremony the year Bruce and Paul McCartney were inducted. We were at the bar, and Bruce was talking to Paul, and he turned to me and said, 'I can't believe I'm talking to Paul McCartney!' I thought, 'I can't believe I'm talking to Bruce Springsteen, who's talking to Paul McCartney!”

“Nor did I know back then that McCartney had written the song as an ode to Black women ("bird" being British slang for a pretty girl) at the pivotal moment of the civil rights struggle. That would only deepen my appreciation for "Blackbird”

“And there was the time Paul McCartney serenaded my wife with “Michelle.” She laughed, a little embarrassed, as the rest of the audience applauded, and I wondered what Michelle’s parents would have said back in 1965, the year the song came out, if someone had knocked on the door of their South Side home and told them that someday the Beatle who wrote it would be singing it to their daughter from a White House stage.”

“Depending on how you looked at it, Darren was our Mick Jagger (designated swaggering extrovert) to Simon's Keith Richards (quietly virtuosic, blatantly self-destructive). Or else Darren had been Paul McCartney (chirpily commercial) and Simon had been John Lennon (moody, introspective, possessed of quasi-mystical insights).”