“Essentially, in photography, I think on two levels: one emotional and the other technical. The emotional impact has to do with looking for something dramatic happening in the photograph, something that reaches out and touches somebody in some way. And the technical is having to do with composition and framing - light and dark, light and shadow.” ThinkingWayTwoLightDarkLevelsEmotionalPhotographyHappeningsShadowImpactPhotographDramaticReach OutCompositionLight And DarkFramingLight And Shadow Author:Leonard Nimoy
“Poetry at least in my own life, is really about your own mortality. Everything in poetry makes me think of my mortality. It is not a dark thing in life; it prepares you for the graceful things that happen in your life. It gives me a license to make any kind of picture I want with great courage.” ThinkingWantGivingKindHappensLife IsDarkMy OwnPhotographyGive MeMortalityThings In LifeLicenseMy Own LifeDark Things Author:Keith Carter
“I never went to school for that. In high school we had photography, which was great. That was another moment of discovery. I had a great teacher - I can't even remember her name now. I ended up going to boarding school for my last high school years and they had a dark room there. Of course there was curfew; you were supposed to be in bed at a certain time. But I would sneak out and sneak into the dark room and work all night.” YearsI CanMomentsSchoolLastsRememberNightCertainCoursesNamesDarkRoomsTeacherBedPhotographyHigh SchoolDiscoverySupposed To BeAll NightGreat TeacherSneakDark RoomCurfewSchool Years Author:Jeff Vespa
“The subject I liked best was painting, but the teachers didn't approve of my experiments and sometimes criticized me in front of the whole class. Maybe my love for photography came from that humiliation: a photo is something that you develop and print yourself, in the dark, and that remains in the dark until you decide to show it.” SometimesWholeShowsDarkClassTeacherSubjectsFrontsPaintingPhotographyRemainsExperimentsPrintHumiliation Author:Hiroshi Hamaya
“I never shot on sets, but if I was traveling somewhere or on location, I would always have my camera, and I'd always be - it's that kind of fly on the wall approach to photography, though. I don't engage the subject. I like to sneak around, skulk about in the dark.” IfsKindDarkSubjectsWallApproachPhotographyShotsCamerasLocationSneak Author:Jessica Lange
“We emphasized the creativeness that happens at the moment of seeing over the kind that takes place in the dark room.” KindMomentsHappensDarkRoomsSeeingPhotographyDark RoomCreativeness Author:Minor White