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Photography Quotes

Browse 3249 quotes about Photography.

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Photography Quotes

“Your photography is a record of your living - for anyone who really sees. You may see and be affected by other people's ways, you may even use them to find your own, but you will have eventually to free yourself of them. That is what Nietzche meant when he said, 'I have just read Schopenhauer, now I have to get rid of him.' He knew how insidious other people's ways could be, particularly those which have the forcefulness of profound experience, if you let them get between you and your own personal vision.”

PeopleIfsWayMaySaidUseVisionRecordsPhotographyProfoundAffectedInsidiousFree YourselfPersonal Vision
Author:Paul Strand
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“Photography - the supreme form of travel, of tourism - is the principal modern means for enlarging the world. As a branch of art, photography's enterprise of world enlargement tends to specialize in the subjects felt to be challenging, transgressive. A photograph may be telling us: this too exists. And that. And that. (And it is all 'human.') But what are we to do with this knowledge - if indeed it is knowledge, about, say, the self, about abnormality, about ostracized or clandestine worlds?”

IfsWorldHumansMayMeanArtSelfFormFeltChallengesModernSubjectsPhotographyPhotographSupremeBranchesEnterprisePrincipalTourismEnlargementAbnormalityClandestineArt Photography
Author:Susan Sontag
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“Detachment, lack of sentimentality, originality, a lot of things that sound rather empty. I know what they mean. Let's say, "visual impact" may not mean much to anybody. I could point it out though. I mean it's a quality that something has or does not have. Coherence. Well, some things are weak, some things are strong.”

KnowsWellsMayMeanDoeStrongSoundQualityPhotographyEmptyWeakImpactPhotographerVisualsOriginalityDetachmentSentimentalityCoherence
Author:Walker Evans
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“To chart a course, one must have a direction. In reality, the eye is no better than the philosophy behind it. The photographer creates, evolves a better, more selective, more acute eye by looking ever more sharply at what is going on in the world. Like every other means of expression, photography, if it is to be utterly honest and direct, should be related to the life of the times-the pulse of today. The photograph may be presented as finely and artistically as you will, but to merit serious consideration, must be directly connected with the world we live in.”

IfsWorldShouldMayMeanPhilosophyRealityEyeTodayCoursesBehindsHonestSeriousExpressionPhotographyDirectPhotographerPhotographConnectedEvolveMeritRelatedConsiderationPulseSelective
Author:Berenice Abbott
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“Some objects and events may be photographed, others, if one is to render their true quality, should be painted or set to music, since their essence is more faithfully reproduced through imagination than by the journalistic report.”

IfsShouldMayImaginationQualityEventsObjectsPhotographyEssenceReportsJournalistic
Book:New York 22: that district of the City which lies between Fiftieth and Sixtieth Streets, Fifth Avenue, and the East River
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“Of course, it may be that the arts of writing and photography are antithetical. The hope and aim of a word-handler is that he maycommunicate a thought or an impression to his reader without the reader's realizing that he has been dragged through a series of hazardous or grotesque syntactical situations. In photography the goal seems to be to prove beyond a doubt that the cameraman, in his great moment of creation, was either hanging by his heels from the rafters or was wedged under the floor with his lens in a knothole.”

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Author:E. B. White
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“Critics are giving marks for originality, acting, photography and scripting, while mass audiences are more drawn to familiarity of genre, stars they would like to have sex with or plots that are more likely to make their dates have sex with them. Reviewers are doing their day's work, cinema-goers are escaping from theirs: this leads to an inevitable difference of response. It is, though, wrong to conclude that reviewers are completely useless. Books, movies and shows may be critic-proof, but the egos and psyches of the people who make them very rarely are.”

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Author:Mark Lawson
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“The dismal half-baked images of the average "reportage" and "documentary" photography are self dammning... the slick manner, the slightly obscure significance, the esoteric fear of simple beauty for its own sake - I am deeply concerned with these manifestations of decay. Gene Smith's work validates my most vigorous convictions that if the documentary photographs is to be truly effective it must contain elements of art, intensity, fine craft and spirituality. All these his work contains and we may turn to his work with gratitude, appreciation and great respect.”

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Author:Ansel Adams
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“I do not want [photography] explained to me in terms of... formulas, learned, but so hopelessly unsatisfying. I do not want my butterfly stuck on a pin and put in a glass case. I want to see the sunlight on its wings as it flits from flower to flower and I don't care a rap what its Latin name may be.”

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Book:The Making of an American
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“To know whether photography is or is not an art matters little. What is important is to distinguish between good and bad photography. By good is meant that photography which accepts all the limitations inherent in photographic technique and takes advantage of the possibilities and characteristics the medium offers. By bad photography is mean that which is done, one may say, with a kind of inferiority complex, with no appreciation of what photography itself offers: but on the contrary, recurring to all sorts of imitations.”

KnowsKindMayMeanLittlesArtImportantMatterDoneAcceptingPossibilityOffersPhotographyAdvantageComplexesAppreciationTechniqueContraryMediumsLimitationCharacteristicsInherentImitationGood And BadInferiorityRecurringInferiority ComplexNo Appreciation
Book:Frida Kahlo and Tina Modotti
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“The decisive moment, the popular Henri Cartier-Bresson approach to photography in which a scene is stopped and depicted at a certain point of high visual drama, is now possible to achieve at any time. One's photographs, years later, may be retroactively rephotographed by repositioning the photographer or the subject of the photograph, or by adding elements that were never there before but now are made to exist concurrently in a newly elastic sense of space and time.”

YearsMayMadeMomentsCertainSpaceAchieveSubjectsDramaSceneElementsApproachPhotographyPhotographerPhotographVisualsTime And SpaceDecisive MomentsCartierHenri Cartier Bresson
Book:In our own image: the coming revolution in photography : how computer technology is changing our view of the world
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“The question is not whether a picture is good, in some formal, technical sense, but, does it mean what I need it to mean? Writers can edit sentences that may be well-crafted but that don't express an intended thought. But in photography, there are no revisions: A photograph is in or it's out, and the photographer must live with the consequences of his or her choices.”

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Author:Thomas Roma
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“Arguments against photography ever being considered a fine art are: the element of chance which enters in, — finding things ready-made for a machine to record, and of course the mechanics of the medium. I say that chance enters into all branches of art.”

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Author:Edward Weston
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“Give half a dozen men the same camera, lenses and plates, and send them to the same place to do the same thing, and all the results will be alike, or so nearly alike as to reveal the real mechanicalness of photography. Yet, curiously enough, this is just one of the most difficult things a photographer can be set to do, to exactly repeat himself, or another. He may use the identical apparatus, know the subject perfectly, and yet be totally unable to bring away an exact replica.”

KnowsMenGivingMayRealEnoughUseDifficultResultsHalfSubjectsPhotographyCamerasPhotographerRepeatsJust OneDozenPlatesLensesIdenticalDifficult ThingsReplicaCamera Lenses
Author:Frederick H. Evans
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“And if you can find out something about the laws of your own growth and vision as well as those of photography you may be able to relate the two, create an object that has a life of its own, which transcends craftsmanship. That is a long road, and because it must be your own road nobody can teach it to you or find it for you. There are no shortcuts, no rules.”

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Author:Paul Strand
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“What is the subject matter of this apparently very personal world? It has been suggested that these shapes and images are underworld characters, the inhabitants of the vast common realm of memories that have gone down below the level of conscious control. It may be they are. The degree of emotional involvement and the amount of free association with the material being photographed would point in that direction.”

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Author:Aaron Siskind
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“In a foreign country it is far from easy to study a scene at length when you know that at any minute someone may appear and ask what you are doing and that you can't answer, and you haven't many references, and you don't know the law. Neither is it easy to find and know the subjects for portraits or comfortable to make such picture when you cannot apply an anesthesia of small talk.”

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Book:Paul Strand: essays on his life and work
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“The contemporary artist...is not bound to a fully conceived, previsioned end. His mind is kept alert to in-process discovery and a working rapport is established between the artist and his creation. While it may be true, as Nathan Lyons stated, 'The eye and the camera see more than the mind knows,' is it not also conceivable that the mind knows more than the eye and the camera can see?”

KnowsMindMayEndsEyeArtistProcessCreationPhotographyDiscoveryCamerasBoundsPhotographerContemporaryBeing TrueRapport
Author:Jerry Uelsmann
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“Surprise quality can be achieved in many ways. It may be produced by a certain stimulating geometrical relationship between elements in the picture or through the human interest of the situation photographed or by calling our attention to some commonplace but fascinating thing we have never noticed before or it can be achieved by looking at an everyday thing in a new interesting way.”

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Author:Alexey Brodovitch
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