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Clandestine Quotes

Browse 50 quotes about Clandestine.

Clandestine Quotes

“The very word "secrecy" is repugnant in a free and open society; and we are as a people inherently and historically opposed to secret societies, to secret oaths and to secret proceedings...Our way of life is under attack. Those who make themselves our enemy are advancing around the globe...no war ever posed a greater threat to our security. If you are awaiting a finding of "clear and present danger," then I can only say that the danger has never been more clear and its presence has never been more imminent...For we are opposed around the world by a monolithic and ruthless conspiracy that relies primarily on covert means for expanding its sphere of influence–on infiltration instead of invasion, on subversion instead of elections, on intimidation instead of free choice, on guerrillas by night instead of armies by day. It is a system which has conscripted vast human and material resources into the building of a tightly knit, highly efficient machine that combines military, diplomatic, intelligence, economic, scientific and political operations. Its preparations are concealed, not published. Its mistakes are buried, not headlined. Its dissenters are silenced, not praised. No expenditure is questioned, no rumor is printed, no secret is revealed.”

“That’s funny. You would think after being followed and shoved into a dark alley by a stranger, you would be at least a little shaken. Don’t tell me, you are a black belt just waiting for the perfect moment to strike.” He laughed soundlessly. “I mean your words do sound brave but your eyes and the fact that you’re trembling like a scared little kitten say something else entirely.” Even though the alley was submerged in darkness and shadows, it was obvious there was a devilish grin stretched across his face...”

“Moi, le clandestin, je leur rappelle cela. Le vide. Le hasard qui les fonde. A tous. C’est pour ça qu’ils me haïssent. Parce que je rode dans leurs villes, parce que je squatte leurs bâtiments désaffectés, parce que j’accepte le travail qu’ils refusent, je leur dis, aux Européens, que j’aimerais être à leur place, que les privilèges que le sort aveugle leur a donnés, je voudrais les acquérir : en face de moi, ils réalisent qu’ils ont de la chance, qu’ils ont tiré un bon numéro, que le couperet fatal leur est passé au ras des fesses, et se souvenir de cette première et constitutive fragilité les glace, les paralyse. Car les hommes tentent, pour oublier le vide, de se donner de la consistance, de croire qu’ils appartiennent pour des raisons profondes, immuables, à une langue, une nation, une région, une race, une histoire, une morale, une histoire, une idéologie, une religion. Or malgré ces maquillages, chaque fois que l’homme s’analyse, ou chaque fois qu’un clandestin s’approche de lui, les illusions s’effacent, il aperçoit le vide : il aurait pu ne pas être ainsi, ne pas être italien, ne pas être chrétien, ne pas… Les identités qu’il cumule et qui lui accordent de la densité, il sait au fond de lui qu’il s’est borné à les recevoir, puis à les transmettre. Il n’est que le sable qu’on a versé en lui ; de lui-même, il n’est rien.”

“As a nation we have, over the past seven years, been rebuilding our intelligence with powerful capabilities that many thought we would no longer need after the Cold War. We have been rebuilding our clandestine service, our satellite and other technical collection, our analytical depth and expertise.”

“When I came to the CIA in the mid-'90s, our graduating class of case officers was unbelievably low. Now, after years of rebuilding, our training programs and putting our best efforts to recruit the most talented men and women, we are graduating more clandestine officers than at any time in the history of the Central Intelligence Agency.”

“My mind was by no means easy about the need to carry out a clandestine action in the sovereign territory of a friendly country, and the question of whether it was permissible to do so — from both the ethical and political points of view — had to be faced in all its gravity.”

“Photography - the supreme form of travel, of tourism - is the principal modern means for enlarging the world. As a branch of art, photography's enterprise of world enlargement tends to specialize in the subjects felt to be challenging, transgressive. A photograph may be telling us: this too exists. And that. And that. (And it is all 'human.') But what are we to do with this knowledge - if indeed it is knowledge, about, say, the self, about abnormality, about ostracized or clandestine worlds?”

“Throughout the twentieth century and into the beginning of the twenty-first, the United States repeatedly used its military power, and that of its clandestine services, to overthrow governments that refused to protect American interests. Each time, it cloaked its intervention in the rhetoric of national security and liberation. In most cases, however, it acted mainly for economic reasons-specifically to establish, promote and defend the right of Americans to do business around the world without interference.”

“The situation they [journalists and Edward Snowden] were in was incredibly heightened. The stakes were high. There was a lot of pressure, a lot of tension, a lot of sense of claustrophobic, clandestine energy that I think was exhilarating for us to explore and recreate. We were fortunate to shoot a fair amount of our stuff at the actual hotel where it all happened in Hong Kong. That added another element of very similitude to the situation, so I feel like it was exciting.”

“How I will cherish you then, you grief-torn nights! Had I only received you, inconsolable sisters, on more abject knees, only buried myself with more abandon in your loosened hair. How we waste our afflictions! We study them, stare out beyond them into bleak continuance, hoping to glimpse some end. Whereas they're really our wintering foliage, our dark greens of meaning, one of the seasons of the clandestine year -- ; not only a season --: they're site, settlement, shelter, soil, abode.”

“Art historians agree that Da Vinci's paintings contain hidden levels of meaning that go well beneath the surface of the paint. Many scholars believe his work intentionally provides clues to a powerful secret... a secret that remains protected to this day by a clandestine brotherhood of which Da Vinci was a member.”

“He did not understand all he had heard, but from his clandestine glimpse into the privacy of these two, with all the world that his short experience could conceive of at their feet, he had gathered that life for everybody was a struggle, sometimes magnificent from a distance, but always difficult and surprisingly simple and a little sad.”

“They were still in the happier stage of love. They were full of brave illusions about each other, tremendous illusions, so that the communion of self with self seemed to be on a plane where no other human relations mattered. They both seemed to have arrived there with an extraordinary innocence as though a series of pure accidents had driven them together, so many accidents that at last they were forced to conclude that they were for each other. They had arrived with clean hands, or so it seemed, after no traffic with the merely curious and clandestine.”

“Lavina led me to an abandoned warehouse. I think that at some point someone decreed that all clandestine meetings must be held in one. Woe to the criminal overlord who lives in a city thriving with commerce, with no empty warehouses to be found. He probably needs to build one, just to have a place to arrange late-night meetings. (Bewitched)”

“Recently Mr. Mawdsley’s donkey escaped from his stall, raced down the road, and somehow found his way into an enclosed pasture. Mr. Caird’s prized mare was innocently grazing when the ill-bred seducer had his way with her. Now it appears the mare has conceived, and a feud is raging between Caird, who demands financial compensation, and Mawdsley, who insists that had the pasture fencing been in better repair, the clandestine meeting would never have occurred. Worse still, it has been suggested that the mare is a shameless lightskirt and did not try nearly hard enough to preserve her virtue.”

“They were still in the happier stages of love. They were full of brave illusions about each other, tremendous illusions, so that the communion of self with self seemed to be on a plane where no other human relations mattered.”

“To become imperceptible oneself, to have dismantled love in order to become capable of loving. To have dismantled one's self in order finally to be alone and meet the true double at the other end of the line. A clandestine passenger on a motionless voyage. To become like everybody else; but this, precisely, is a becoming only for one who knows how to be nobody, to no longer be anybody. To paint oneself gray on gray.”

“Simplicity is a pleasant thing in children, or at any age, but it is not necessarily admirable, nor is affectation altogether a thing of evil. To be normal, to be at home in the world, with a prospect of power, usefulness, or success, the person must have that imaginative insight into other minds that underlies tact and savoir-faire, morality and beneficence. This insight involves sophistication, some understanding and sharing of the clandestine impulses of human nature. A simplicity that is merely the lack of this insight indicates a sort of defect.”

“We do know that the Iraqi regime has chemical and biological weapons. His regime has amassed large, clandestine stockpiles of chemical weapons - including VX, sarin, cyclosarin and mustard gas. His regime has amassed large, clandestine stockpiles of biological weapons—including anthrax and botulism toxin, and possibly smallpox.”

“May I strike my heart's keys clearly, and may none fail because of slack, uncertain, or fraying strings. May the tears that stream down my face make me more radiant: may my hidden weeping bloom.... How we waste our afflictions!... [T]hey're really our wintering foliage, our dark greens of meaning, one of the seasons of the clandestine year—; not only a season—: they're site, settlement, shelter, soil, abode.”

“My work is a fusion of personal experiences and influences - moody atmospheres, victorian-inspired couture, and timeless elements all laced with clandestine symbolism. The figures I paint exist in their own esoteric realm and time, and each painting offers a glimpse into their anomalous world.”