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Framing Quotes

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Framing Quotes

“One of the fundamental findings of cognitive science is that people think in terms of frames and metaphors […] The frames are in the synapses of our brains, physically present in the form of neural circuitry. When the facts don’t fit the frames, the frames are kept and the facts ignored.”

“Framing is how spellcasting works in the real world. Just by describing something or giving it a name, you called it into being. Well chosen frame can determine what’s relevant, what’s important, or what’s good. When you frame someone’s experience in a compelling way, you shape their expectations as well as their interpretation of events.”

“Two Leningrad women were summoned to the police station. Had they been at a party with some men? Yes. Had sexual intercourse taken place? (This had already been established with the aid of a reliable informer.) Er—yes. Right, then, which is it: did you take part in the sexual act voluntarily or against your will? If voluntarily, we shall have to regard you as prostitutes, you will hand over your passports and get out of Leningrad in forty-eight hours. If it was against your will, you must bring a charge of rape! The women were not a bit anxious to leave Leningrad! So the men got twelve years each.”

“The main questions in frames are "Who are you to the person you are conversing with?" and "Who is the person to you?" Frames determine who you are to each other in group contexts, such as social circles and night games. Every reaction has an impact on the interaction's story or deeper significance. The interaction's "tone" is established by them. However, every reaction also shapes how the receiver is perceived by others; your acts will shape how the receiver sees you.”

“Recall that the collapse of complexity that accompanies 5 percent [i.e. intractable] conflicts happens along many dimensions: - A very complication situation becomes very simple. - A focus on concrete details in the conflict shifts to matters of general abstract principle. - Concerns over obtaining accurate information regarding substantive issues transform into concerns over defending one's identity, ideology, and values. - The out-group, which was seen as made up of many different types of individuals, now are all alike. - The in-group, which was seen as made up of many different types of individuals, now are all similar. - Whereas I once held many contradictions within myself in terms of what I valued, thought, and did; now I am always consistent in this conflict. - Whereas I used to feel different things about this conflict - good, bad, and ambivalent; now I feel only an overwhelming sense of enmity and hate. - I've shifted from long-term thinking and planning toward short-term reactions and concerns. - Where I once had many action options available to me, I now have one: attack. This is the bad news about the 5 percent, but it's also the good news. The collapse of complexity occurs on so many levels, all leading to a similar state of 'us versus them' thinking, that reintroducing a sense of complexity and agency can also be achieved in a wide variety of ways. There are therefore many places to find points of leverage to rupture the certainty and oversimplification that rules in these situations. The question is how to find them.”

“It's from the newspapers that people I know - relatives and co-workers - have got the idea that crosswords are a prophylactic against Alzheimer's. Newspapers are of course also the place where crosswords (and now sudokus) are most readily available, so the association is presumably good for circulation.”

“See the system. When you find yourself stuck in an oversimplified polarized conflict, a useful first step is to try to become more aware of the system as a whole: to provide more context to your understanding of the terrain in which the stakeholders are embedded, whether they are disputants, mediators, negotiators, lawyers, or other third parties. This can help you to see the forest and the trees; it is a critical step toward regaining some sense of accuracy, agency, possibility, and control in the situation.”

“I don't think so much about verbal comedy. I always think about visual comedy. I was raised watching silents, and I'm always thinking about how to make cinema, not good talking - although I want good talking. I'm much more interested in framing, composition, and orchestration of bodies in space, and so forth. My goal is always what Chuck Jones wanted his Warner Brothers cartoons to be, which was if you turn down the sound, you could still tell what's going on. I think if you watch most of my films with the sound off, you could still tell what's going on.”

“Essentially, in photography, I think on two levels: one emotional and the other technical. The emotional impact has to do with looking for something dramatic happening in the photograph, something that reaches out and touches somebody in some way. And the technical is having to do with composition and framing - light and dark, light and shadow.”

“Jerusalem - a divided city, where demonstrations for and against various issues occur regularly. One day, during an Orthodox demonstration against autopsies, I happened to click a few frames while a young man pushed his hamsa (spread hand) into my camera, which is seen by some as 'the evil eye.' As it happened, it was the tail end of my roll of film and the image is actually a double exposure. This taught me that in spite of your careful framing, chance occurrences create the most interesting images.”

“A journalist is supposed to present an unbiased portrait of an event, a view devoid of intimate emotions. This is impossible, of course. The framing of an image, by its very composition, represents a choice. The photographer chooses what to show and what to exclude.”

“We current Justices read the Constitution in the only way that we can: as Twentieth Century Americans. We look to the history of the time of framing and to the intervening history of interpretation. But the ultimate question must be, what do the words of the text mean in our time. For the genius of the Constitution rests not in any static meaning it might have had in a world that is dead and gone, but in the adaptability of its great principles to cope with current problems and current needs.”

“Composition is what's similar between being photographer and director. As a photographer, you're sort of doing everything - you're directing the lights and you're framing and you're moving around. The hardest thing to learn as a director is how cameras have to move. You have to have patience, you have to learn how to look through the lens and then you have to learn to combine all of the compartments into one great image.”

“When you play guitar you are drawing a frame around a moment and saying to the listener, 'Here is how I want you to experience this. How you begin and end a solo is framing, How you structure a song is framing, how you present yourself onstage is framing. See every corner, not just the center, framing should heighten the impact of the art and give clarity to your vision.”

“In framing a system, which we wish to last for ages, we should not lose sight of the changes which ages will produce.”

“I think it[3D] should be used as a new artistic form, not as a gimmick, not to impress you but the existence of an environment that you view as a theatrical dramatic experience is - you don't just have the X-Y axis, you have the Z and that makes a difference. You still have the framing, you still use lenses, so most of the cinematic rules and languages still apply but I think it's a different existence.”

“Once we were on the set, we each did different kinds of work. I was doing more the technical stuff, the framing and the camera work, and she was working more with the actors. Marjane [Satrapi] and I don't stop speaking once we're on the set. We continue to talk. We define what our roles are going to be on set, because to have a snake with two heads is silly.”

“During the fifteen or twenty years in which I tried - it was not always easy with publishers, newspapers, etc. - to forbid photographs, it was not at all in order to mark a sort of blank, absence, or disappearance of the image; it was because the code that dominates at once the production of these images, the framing they are made to undergo, the social implications (showing the writer's head framed in front his bookshelves, the whole scenario) seemed to me to be, first of all, terribly boring, but also contrary to what I am trying to write and to work on.”

“Question the images. Take them by the hand and don't let the sweet distancing they offer you vanquish you; do away with the distance's comfort or the soft indifference you derive from concentrating on the quality of the framing, the use of light and shadows, the successful composition. Force these images to bring you to the Mexican Southeast, to history, to the struggle, to this taking sides, to choose a faction.”

“It is true that physics gives a wonderful training in precise, logical thinking-about physics. It really does depend upon accurate reproducible experiments, and upon framing hypotheses with the greatest possible freedom from dogmatic prejudice. And if these were the really important things in life, physics would be an essential study for everybody.”

“We are more often than not asked, for instance, to regard Israel and Palestine as in a conflict of this kind, a framing that sets each of them on equal footing, and implicitly analogies the political situation to a fist fight, a soccer match, or a domestic quarrel. So if, then, the only two intelligible political positions are "pro-Palestinian" or "pro-Israeli," the presumption is that one's position is determined by a sentiment that wants one side to win over the other.”

“The American founders, when framing their governments, looked to the Bible for insights into human nature, civic virtue, social order, political authority and other concepts essential to the establishment of a political society. They saw in Scripture political and legal models - such as republicanism, separation of powers, and due process of law - that they believed enjoyed divine favor and were worthy of emulation in their polities.”