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Quiet Quotes

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Quiet Quotes

“The moral nature of man is more sacred in my eyes than his intellectual nature. I know they cannot be divorced - that without intelligence we should be brutes - but it is the tendency of our gaping, wondering dispositions to give pre-eminence to those faculties which most astonish us. Strength of character seldom, if ever, astonishes; goodness, lovingness, and quiet self-sacrifice, are worth all the talents in the world.”

“She was too intent upon her work, and too earnest in what she said, and too composed and quiet altogether, to be on the watch for any look he might direct towards her in reply; so the shaft of his ungrateful glance fell harmless, and did not wound her.”

“With every character you play you're always trying to put facets of yourself into those characters. I think Asher, at the beginning of The Giver, when he's goofy and a little bit of a rule-breaker, a little bit of a jokester, I align with him. But then he kind of transforms throughout the movie and becomes someone I don't necessarily relate to. I relate to Adam McCormick's sensitivity. He's more quiet and introverted, and I definitely have those moments as well.”

“For the camera, I like the feeling of changing into different characters. Even though I'm not acting, I still have to be someone different to show the product. If I'm not being someone different, I won't find it fun. I love the shows because it transforms you into a different person. Not Malaika - it makes me someone else. Naturally, I'm quiet and crazy. But when they give me an outfit, like a very elegant outfit, it transforms me into this beautiful woman - I can feel it inside me. I like that, playing different characters. I'm really interested in acting.”

“I was a very quiet, shy child. I grew up in a small town, Louisville, Kentucky, and there weren't too many Hawaiian-Filipino girls, so I stuck out like a sore thumb. I didn't look like everyone else and didn't feel I belonged... But these things only build character and make you stronger. It taught me to grow into the woman I was to become.”

“Dear God, I prayed, all unafraid (as we're inclined to do), I do not need a handsome man but let him be like You; I do not need one big and strong nor yet so very tall, nor need he be some genius, or wealthy, Lord, at all; but let his head be high, dear God, and let his eye be clear, his shoulders straight, whate'er his state, whate'er his earthly sphere; and let his face have character, a ruggedness if soul, and let his whole life show, dear God, a singleness of goal; then when he comes (as he will come) with quiet eyes aglow, I'll understand that he's the man I prayed for long ago.”

“The idea for Maximum Ride come from the earlier books of mine called When the Wind Blows and The Lake House, which also feature a character named Max who escapes from a quiet despicable school. Most of the similarities end there. Max and the other kids in Maximum Ride are not the same Max and kids featured in those two books. nor do Frannie and Kit play any part in Maximum Ride. I hope you enjoy the ride anyways.”

“She would be quiet at first. Then she would say a word about something small, something she had noticed, and then another word, and another, each one flung out like a little piece of sand, one from this direction, another form behind, more and more, until his looks, his character, his soul would have eroded away . . . I was afraid that some unseen speck of truth would fly into my eye, blur what I was seeing and transform him from the divine man I thought he was into someone quite mundane, mortally wounded with tiresome habits and irritating imperfections.”

“I'd write of people and places like I knew, and I'd make my characters talk everyday English; and I'd let the sun rise and set in the usual quiet way without much fuss over the fact. If I had to have villains at all, I'd give them a chance, Anne--I'd give them a chance. There are some terrible bad men the world, I suppose, but you'd have to go a long piece to find them...But most of us have got a little decency somewhere in us. Keep on writing, Anne.”

“There is a movement happening, a quiet one. A low-profile, low-resolution revolution. Comprised of writers and dreamers, of guerrilla artists and thought-ninjas. Those with something to say. They communicate through text inscribed on true public spaces, rather than blogs and forums. Choosing fewer words, even without being bound by 140 character limits. Using ink instead of pixels. Sending messages in living, breathing space. Pens scream louder into the void. Even if permanent ink is not aptly named.”

“Reading fiction is important. It is a vital means of imagining a life other than our own, which in turn makes us more empathetic beings. Following complex story lines stretches our brains beyond the 140 characters of sound-bite thinking, and staying within the world of a novel gives us the ability to be quiet and alone, two skills that are disappearing faster than the polar icecaps.”