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Records Quotes

“I was at a dinner party with a group of people, and we were talking about fake names. You know, how its difficult to come up with a really great fake name. Its a very specific type of gift. You don't want to go too far into the silly, and you don't want to go too far into the banal. I always thought one of the funniest names ever was Gern Blanston, which came from a Steve Martin routine on one of his early records.”

“If you wish to collect complimentary material for a record of yourself, never appeal to your relations. They may be proud of you as an asset to the family name, but they have a gift for remembering your gawky period privately, the follies and faults you committed and have forgotten. You may have come up in the world with a laurel on your brow, but if you go back home forty years later wearing two laurels on your brow, and a noble expression, they will miss the point.”

“Music is very, very important in my movies. In some ways the most important stage, whether it ends up being in the movie or not, is just when I come up with the idea itself before I have actually sat down and started writing. I go into my record room... I have a big vinyl collection and I have a room kind of set up like a used record store and I just dive into my music, whether it be rock music, or lyric music, or my soundtrack collection. What I'm looking for is the spirit of the movie, the beat that the movie will play with.”

“Wayne's my man. I'm proud of him, he worked hard. You know with a lot of people, Wayne's been doing this for years. Wayne had a record deal before I had a record deal, you know what I'm saying? Even though Cash Money been our for 12, 13 years so you know, for him to come up for where he came up, it was all them, B.G, Juvie, Turk, everybody. To see him excel from all that and become one of the hottest people in the game, 10, 12 years later, I'm really proud of him. That's my lil' man.”

“I don't really think of these as projects. I think of them as bands. I have tried to not just convene a group of musicians and make one record or make one gig and just drop it. Each of them develop over time. I have been really fortunate to keep a band like the Sextet together over three very different albums. Each time, the goal got more deep for me in terms of how I wanted to write for those people. So it is really about trying to develop ideas and trying to have a consistent focus on a way to come up with new ideas in music that I want to do.”