“In Utero is a testament to the artistic vision of Kurt Cobain. It's kind of a weird record, and it's strangely beautiful at the same time. And if you look at Kurt's paintings and his drawings - he even did a sculpture for me - it's a rising, tortured-spirit person. It's kind of weird. It's done well, but it's like what Dave was saying about having your own sound. Kurt was a great songwriter. He knew he had a good ear for a hook [and was] a great singer, great guitar player, and In Utero is a good representation of what he liked in art and how he expressed himself.” IfsWellsLooksKindPersonsArtDoneBeautifulSpiritSoundVisionRecordsPlayerPaintingEarsGuitarDrawingSingersArtisticRisingSongwritersRepresentationTestamentHookSculptureGuitar PlayerDaveArtistic VisionCobain Author:Krist Novoselic
“The painting is always conceived as the linear record of a rhythmic gesture: it is a graph of a dance executed by the hand. Not only the artist's eye and hand perform this dance, so does the eye of the beholder.” DoeHandsEyeArtistRecordsPaintingGesturesLinearBeholderEye Of The BeholderGraphs Author:Roger Fry
“A landscape painting is essentially emotional in origin. It exists as a record of an effect in nature whose splendour has moved a human heart, and according as it is well or ill done it moves the hearts of others.” HumansWellsHeartDoneMovingEmotionRecordsEffectsEmotionalPaintingMovedIllLandscapeHuman HeartSplendourLandscape Painting Author:Walter J. Phillips
“I suppose what you're doing as a painter is making a record of your trip through life. I can't think of any job that is quite as satisfactory as doing a painting.” ThinkingI CanJobsRecordsPaintingPainter Author:Robert Genn
“If I had to spend equal time doing paintings, and equal time going to galleries and doing art business, and equal time making music, and equal time going to record companies, or to the publicist or to the lawyer, forget it. It would take four times as long to do all that stuff. Unless I had a patron. That's why Leonardo da Vinci was successful. He had the Medicis, right?” IfsLongArtStuffForgetCompanySuccessfulRecordsFourPaintingEqualLawyerForget ItGalleryRecord CompaniesPatronLeonardoPublicists Author:Debbie Harry
“Paint records the most delicate gesture and the most tense. It tells whether the painter sat or stood or crouched in front of the canvas. Paint is a cast made of the painter's movements, a portrait of the painter's body and thoughts.” MadeBodyRecordsFrontsMovementPaintingPaintCastsPainterSatDelicateGesturesCanvasPortraitsTense Book:What Painting Is Source: What Painting Is
“Self-painting is a further development of painting. The pictorial surface has lost its function as sole expressive support. It was led back to its origins, the wall, the object, the living being, the human body. By incorporating my body as expressive support, occurrences arise as a result, the course of which the camera records and the viewer can experience” HumansSelfBodyCoursesLostResultsSupportRecordsObjectsPaintingWallDevelopmentFunctionCamerasSurfaceAriseSoleViewersHuman BodyExpressivePictorialIncorporating Author:Gunter Brus
“In a way records are like paintings. Instead of using paints and brushes we use sounds and instruments.” WayUseSoundRecordsPaintingInstrumentsPaintBrushes Author:John McLaughlin
“As a child growing up among artists I learned to think of a picture not as a finished product exposed for the admiration of the virtuosi, but as the visible record, lying about the house, of an attempt to solve a definite problem in painting.” ThinkingChildrenProblemLyingArtistHouseGrowing UpRecordsGrowingPaintingProductsSolveFinishedVisibleAdmirationExposedDefiniteChildren Growing UpGrowing Children Author:Robin G. Collingwood
“Photography is nature seen from the eyes outward, painting from the eyes inward. Photography records inalterably the single image, while painting records a plurality of images willfully directed by the artist.” EyeArtistRecordsPaintingPhotographyInward Book:Charles Sheeler: Essays by Martin Friedman, Bartlett Hayes [and] Charles Millard Source: Charles Sheeler: Essays by Martin Friedman, Bartlett Hayes [and] Charles Millard