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Beholder Quotes

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Beholder Quotes

“Without imagination, things were only as they appeared - and that was blindness. Things were more than they appeared, so much more. When he considered an oak tree, it was not just a tree. To someone small, like an ant, it was a whole landscape of rugged barky cliffs and big green leaf-plains that quaked when the sky was restless, a place of many strange creatures where fearsome winged beasts could pluck and devour someone in a blink.”

“Not one but three rays came forth in response, each splitting to strike at Zak and at Galathae. The first made him feel heavy, as if his limbs were wrapped in thick metal. The second made him realize that he couldn’t win and should flee for his life. The third showed him the truth of the world, that the real monster here was Galathae, and so he should strike at her! But he looked at her, bathed in holy light, serene and yet focused in her efforts to resist the rays—the same rays that had hit him.”

“Art itself is essentially ethical; because every true work of art must have a beauty or grandeur of some kind, and beauty and grandeur cannot be comprehended by the beholder except through the moral sentiment. The eye is only a witness; it is not a judge. The mind judges what the eye reports to it; therefore, whatever elevates the moral sentiment to the contemplation of beauty and grandeur is in itself ethical.”

“It’s like saying beauty is in the eye of the beholder: what appears to be beautiful today may not be judged beautiful in a few years. A perfect example is the Warhol ‘Marilyn’; in the 1960s it was deemed garish. Art needs to be socialised, and you need a lot of context to understand that, and that doesn’t mean having read a few art history books.”

“Power. like the diamond, dazzles the beholder, and also the wearer; it dignifies meanness; it magnifies littleness; to what is contemptible, it gives authority; to what is low, exaltation. To acquire it, appears not more difficult than to be dispossessed of it when acquired, since it enables the holder to shift his own errors on dependents, and to take their merits to himself. But the miracle of losing it vanishes, when we reflect that we are as liable to fall as to rise, by the treachery of others; and that to say "I am" is language that has been appropriated exclusively to God!”

“The whole Renaissance tradition is antipethic to me. The hard-and-fast rules of perspective which it succeeded in imposing on art were a ghastly mistake which it has taken four centuries to redress; Cezanne and after him Picasso and myself can take a lot of credit for this. Scientific perspective forces the objects in a picture to disappear away from the beholder instead of bringing them within his reach as painting should.”

“In every art we are always obliged to return to the accepted means of expression, the conventional language of the art. What is a black-and-white drawing but a convention to which the beholder has become so accustomed that with his mind's eye he sees a complete equivalent in the translation from nature?”

“Lord Bacon has compared those who move in higher spheres to those heavenly bodies in the firmament, which have much admiration, but little rest. And it is not necessary to invest a wise man with power to convince him that it is a garment bedizened with gold, which dazzles the beholder by its splendor, but oppresses the wearer by its weight.”

“Justice, like beauty, is in the eye of the beholder.”

“The poet presents the imagination with images from life and human characters and situations, sets them all in motion and leaves itto the beholder to let these images take his thoughts as far as his mental powers will permit. This is why he is able to engage men of the most differing capabilities, indeed fools and sages together. The philosopher, on the other hand, presents not life itself but the finished thoughts which he has abstracted from it and then demands that the reader should think precisely as, and precisely as far as, he himself thinks. That is why his public is so small.”

“Like propaganda generally, advertising must thus pervade the atmosphere; for it wants, paradoxically, to startle its beholders without really being noticed by them. Its aim is to jolt us, not "into thinking," as in a Brechtian formulation, but specifically away from thought, into quasiautomatic action: "To us," as an executive at Coca-Cola puts it, "communication is message assimilation--the respondent must be shown to behave in some way that proves they [sic] have come to accept the message, not merely to have received it.”

“But the mark of American merit in painting, in sculpture, in poetry, in fiction, in eloquence, seems to be a certain grace withoutgrandeur, and itself not new but derivative; a vase of fair outline, but empty,--which whoso sees, may fill with what wit and character is in him, but which does not, like the charged cloud, overflow with terrible beauty, and emit lightnings on all beholders.”

“People often say that 'beauty is in the eye of the beholder,' and I say that the most liberating thing about beauty is realizing that you are the beholder. This empowers us to find beauty in places where others have not dared to look, including inside ourselves.”