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Vases Quotes

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Vases Quotes

“It was Mary who first adored the Incarnate Word. He was in her womb, and no one on earth knew of it. Oh! how well was our Lord served in Mary's virginal womb! Never has He found a ciborium, a golden vase more precious or purer than was Mary's womb! Mary's adoration was more pleasing to Him than that of all the Angels. The Lord 'hath set His tabernacle in the sun,' says the Psalmist. The sun is Mary's heart," and "Mary is the aurora of the beautiful Sun of Justice.”

“As we cleared the passage we found mixed with the rubble broken potsherds, jar seals, and numerous fragments of small objects; water skins lying on the floor together with alabaster jars, whole and broken, and coloured pottery vases; all pertaining to some disturbed burial, but telling us nothing to whom they belonged further than by their type which was of the late XVIIIth Dyn. These were disturbing elements as they pointed towards plundering.”

“Let me take up your metaphor. Friendship is a vase, which, when it is flawed by heat or violence or accident, may as well be broken at once; it can never be trusted after. The more graceful and ornamental it was, the more clearly do we discern the hopelessness of restoring it to its former state. Coarse stones, if they are fractured, may be cemented again; precious stones, never.”

“Lie in the sun with the child in your flesh shining like a jewel. Dream and sing, pagan, wise in your vitals. Stand still like a fat budding tree, like a stalk of corn athrob and aglisten in the heat. Lie like a mare panting with the dancing feet of colts against her sides. Sleep at night as the spring earth. Walk heavily as a wheat stalk at its full time bending towards the earth waiting for the reaper. Let your life swell downward so you become like a vase, a vessel. Let the unknown child knock and knock against you and rise like a dolphin within.”

“In their censures of luxury the fathers are extremely minute and circumstantial; and among the various articles which excite their pious indignation, we may enumerate false hair, garments of any colour except white, instruments of music, vases of gold or silver, downy pillows, white bread, foreign wines, public salutations, the use of warm baths, and the practice of shaving the beard, which, according to Tertullian, is a lie against our own faces, and am impious attempt to improve the works of the Creator.”

“It is the fixed that horrifies us, the fixed that assails us with the tremendous force of mindlessness. The fixed is a Mason jar,and we can't beat it open. ...The fixed is a world without fire--dead flint, dead tinder, and nowhere a spark. It is motion without direction, force without power, the aimless procession of caterpillars round the rim of a vase, and I hate it because at any moment I myself might step to that charmed and glistening thread.”

“On those remote pages [of 'a certain Chinese encyclopedia'] it is written that animals are divided into (a) those that belong to the Emperor, (b) embalmed ones, (c) those that are trained, (d) suckling pigs, (e) mermaids, (f ) fabulous ones, (g) stray dogs, (h) those that are included in this classification, (i) those that tremble as if they were mad, (j) innumerable ones, (k) those drawn with a very fine camel's hair brush, (l) others, (m) those that have just broken a flower vase, (n) those that resemble flies from a distance.”

“But the mark of American merit in painting, in sculpture, in poetry, in fiction, in eloquence, seems to be a certain grace withoutgrandeur, and itself not new but derivative; a vase of fair outline, but empty,--which whoso sees, may fill with what wit and character is in him, but which does not, like the charged cloud, overflow with terrible beauty, and emit lightnings on all beholders.”

“What we need more of is slow art: art that holds time as a vase holds water: art that grows out of modes of perception and making whose skill and doggedness make you think and feel; art that isn’t merely sensational, that doesn’t get its message across in ten seconds, that isn’t falsely iconic, that hooks onto something deep-running in our natures. In a word, art that is the very opposite of mass media.”

“Somebody's sent a funny little valentine to me. It's a bunch of baby-roses in a vase of filigree, And hovering above them ... is a fairy cupid tangled in a scarf of poetry.”

“All flowers are flirtatious - particularly if they carry hyphenated names. The more hyphens in the name, the flirtier the flower. The one-hyphen flowers - black-eyed Susan; lady-smock; musk-rose - may give you only a shy glance and then drop their eyes; the two-hyphen flowers - forget-me-not; flower-de-luce - keep glancing. Flowers with three or more hyphens flirt all over the garden and continue even when they are cut and arranged in vases. John-go-to-bed-at-noon does not go there simply to sleep.”

“When I am doing things around the house - when I'm decorating, setting up furniture, putting out a vase of flowers, lighting my candles, my mind is always thinking, "What do I need to do to make this space peaceful and restful and comfortable so that when people walk into it, aesthetically they're heightened and enlightened?"”

“"Le génie n'est qu'une longue patience", a dit Buffon. Cela est bien incomplet. Le génie, c'est l'impatience dans les idées et la patience dans les faits : une imagination vive et un jugement calme; quelque chose comme un liquide en ébullition dans un vase qui reste toujours froid. "Genius is just enduring patience," said Buffon. This is far from complete. Genius is impatience in ideas and patience with the facts: a lively imagination and a calm judgment, rather like a liquid boiling in a cup that remains cold.”

“Some years ago I was working on some forms which were vase forms with a fairly narrow base, and it was after [Hans] Coper had died that I saw an exhibition of his, a catalogue from an exhibition, and he was showing some forms which were made by cutting and joining a lot of different parts together to create what he called a spade form, which you can imagine looks a little bit like a shovel upside down.”

“In the Leach Pottery we did most of our work on the wheel. [Bernard] Leach did a little work in the studio, which was press-molded forms, plastic clay pressed into plaster forms to make small rectangular boxes and some vase forms, which he liked to make. These were molds which had been made to an original that he had modeled in solid clay, and during our work there, sometimes I would be pressing these forms as a means of production.”

“Oh, what a catastrophe, what a maiming of love when it was made personal, merely personal feeling. This is what is the matter with us: we are bleeding at the roots because we are cut off from the earth and sun and stars. Love has become a grinning mockery because, poor blossom, we plucked it from its stem on the Tree of Life and expected it to keep on blooming in our civilized vase on the table.”