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Disturbing Quotes

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Disturbing Quotes

“A piece of art comes to life, when we can feel, it is breathing, when it talks to us and starts raising questions. It may dispel biased perceptions; make us recognize ignored fragments and remember forsaken episodes of our life story. Art may sometimes even be nasty and disturbing, if we don’t want to consent to its philosophy or concept, but it might, in the end, perhaps reconcile us with ourselves. ("When is Art?")”

“I don't think I could ever see her closely," the sentinel replied, "however close she came." His own voice was hushed and regretful, echoing with lost chances. "She has a newness," he said. "Everything is for the first time. See how she moves, how she walks, how she turns her head -- all for the first time, the first time anyone has ever done these things. See how she draws her breath and lets it go again, as though no one else in the world knew that air was good. It is all for her. If I learned that she had been born this very morning, I would only be surprised that she was so old." The second sentinel stared down from his tower at the three wanderers. The tall man saw him first, and next the dour woman. Their eyes reflected nothing but his armor, grim and cankered and empty. But then the girl in the ruined black cloak raised her head, and he stepped back from the parapet, putting out one tin glove against her glance. In a moment she passed into the shadow of the castle with her companions, and he lowered his hand. "She may be mad," he said calmly. "No grown girl looks like that unless she is mad. That would be annoying, but far preferable to the remaining possibility." "Which is?" the younger man prompted after a silence. "Which is that she was indeed born this morning. I would rather that she were mad.”

“Let's imagine we're standing together on the launch pad at NASA's Cape Canaveral facility near Orlando, and staring up at the stars together. As I write this, the last constellation above the horizon is Centaurus. The centaur's front head is a bright star. In fact, it's three stars—a pair called Alpha Centauri A and B, and, dimmest of the trio, Proxima Centauri. Here, look through this telescope. See? You can tell them apart. But what we can't see is that there is, in fact, a planet circling the faint light of Proxima Centauri. Man, I wish we could see it. Because that planet, Proxima Centauri b, is the nearest known exoplanet to Earth. [...] If we were to board a spacecraft and ride it from the outer edge of our atmosphere all the way to Proxima Centauri b, you and I, who boarded the ship fit and trim, chosen as we were from billions of applicants, would die before the voyage reached even 1/100th of the intervening distance. [...] At a speed of 20,000 miles per hour—the speed of our top-performing modern rockets—4.2 light years translates to more than 130,000 years of space travel. [...] So how will we ever get there? A generation ship. [...] the general notion is this: get enough human beings onto a ship, with adequate genetic diversity among us, that we and our fellow passengers cohabitate as a village, reproducing and raising families who go on to mourn you and me and raise new of their own, until, thousands of years after our ship leaves Earth's gravity, the distant descendants of the crew that left Earth finally break through the atmosphere of our new home. [...] A generation ship is every sociological and psychological challenge of modern life squashed into a microcosmic tube of survival and amplified—generation after generation. [...] The idea of a generation ship felt like a pointless fantasy when I first encountered it. But as I've spent the last few years speaking with technologists, academics, and policy makers about the hidden dangers of building systems that could reprogram our behavior now and for generations to come, I realized that the generation ship is real. We're on board it right now. On this planet, our own generation ship, we were once passengers. But now, without any training, we're at the helm. We have built lives for ourselves on this planet that extend far beyond our natural place in this world. And now we are on the verge of reprogramming not only the planet, but one another, for efficiency and profit. We are turning systems loose on the decks of the ship that will fundamentally reshape the behavior of everyone on board, such that they will pass those behaviors on to their progeny, and they might not even realize what they've done. This pattern will repeat itself, and play out over generations in a behavioral and technological cycle.”

“It’s a heaviness of ache than paralyzes me with this infernus warning. Below my eyes, I’m awaiting my imminent gnashing of teeth. Forbidden waters, my being needs no cleansing. Dead azure sky, God is unable to be seen. Heaven’s plague, All I see is deaf devotion. The man of stone, Religion was conceived by the infirmity of humanity. It’s all an apparition that arises from the root of decayed light. Alone -- for we are indeed the seed of nothingness.”

“So full. Full of lobster meat and the sadness of the lobster meat. Full of the feeling of having cracked hundreds upon hundreds of precious shells. Full of the sound and the sight of destruction, the lobsters dead in a pile, some of them with lipstick marks on their empty husks. Their voices piled up on one another. I felt a whispering coming from deep within my belly, the voices not yet at rest, and they said in a tone sympathetic and unsympathetic at the same time, Next Next Next. 'Well,' I said, 'what do we do next?' 'Lobster dinner?' he asked, chuckling a little as if I ought to be chuckling with him as well.”

“After six long hours of driving and three rest stops, Tiger pulls up to a snow-topped, metal speaker box just outside the State Penitentiary's first gate in Walla Walla. As he rolls down his window and snow flies in his face, Joshua starts begging for a Happy Meal. I turn around, snapping at him. "This ISN'T MCDONALDS and YOU AREN'T HUNGRY. NOW SHUT UP BRAT." A loud scratchy masculine voice blasts out of the speaker. "CAN I HELP YOU?" Tiger leans out the window, as he answers- We're here to visit Raven Chandler. "HAVE YOU BEEN HERE BEFORE?" "Yes sir. I've been here A LOT." "WHERE'S HIS MOTHER?" "I don't know.. I haven't seen her in months." "NOT THE PRISONER'S MOTHER. THE BRAT IN THE BACK SEAT OF YOUR JEEP." "Oh- HIM-" As he turns, smiling and sticking his tongue out at Joshua, I lean towards his window to answer the guard's question. "SHE'S IN VEGAS, SIR. I'M BABYSITTING. HE'S MY GODSON." When the speaker remains disturbingly silent for far too long, I continue. "HE'S A GOOD BOY SIR. HE WON'T BE ANY TROUBLE- I SWEAR." "THAT'S RIGHT," Tiger said. "HE SWEARS ON THE LITTLE BRAT'S MOTHER'S GRAVE.”

“We are sometimes astounded by the behavior of emotional outlaws, as they act in line with their own standards, but proceed like bulls-in-a-china-shop, create one heck of a mess in their living environment and bring about shocking disturbing dissensions, ever since their inner construction clashes with our emotional architecture. (“Disruption”)”

“It's the sketch Edward did of me before he went away, the one he said was fine but didn't want to keep. It's as if he's drawn me not once but twice. In the main drawing I have my head turned to the right. It's so detailed, you can see the tautness of my neck muscles and the arch of my clavicle. But underneath or over that there's a second drawing, barely more than a few jagged, suggestive lines, done with a surprising energy and violence: my head turned the other way, my mouth open in a kind of snarl. The two heads pointing in opposite directions give the drawing a disturbing sense of movement. Which one's the pentimento, and which the finished thing? And why did Edward say there was nothing wrong with it? Did he not want me to see this double image for some reason?”

“Nothing lives forever. Anything can be killed if you try hard enough.' Overly proud of myself, I stabbed another piece of meat. 'I suppose.' 'But no matter how hard you try with that knife you just swiped,' he said, and my eyes widened, 'you will not be able t kill Cas with it.' My head swung in his direction. 'I'm not planning to kill him with it.' 'I would hope not.' He looked at me from the corner of his eye. 'It would probably only further endear you to him.' I gave a small shake of my head. 'I'm going to ignore that incredibly disturbing possibility.' 'Ignoring something doesn't make it less true, Penellaphe.”

“You can't fight mental health bias if you label people based on a lists of symptoms and you have no medical degree to diagnose people. We all have crazy running through our blood and so many things trigger that. We all struggle with our anxiety and twisted issues. Defamation of character is not kind, nor Christlike. Because when you label people with self righteous vindication you open the door to the very idea that self righteousness is itself a disorder that we should all be afraid of. This doorway when left open too long gets people to pull away from Christ, not run to him.”