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Singing Quotes

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Singing Quotes

“It is that holy poetry and singing we are after. ... It is the wild singing we are after, our chance to use the wild language we are learning by heart under the sea. When a woman speaks her truth, fires up her intention and feeling, staying tight with the instinctive nature, she is singing, she is living in the wild breath-stream of the soul. To live this way is a cycle in itself, one meant to go on, go on, go on.”

“Recreational talking is, along with private singing, one of our saddest recent losses. Like singing, talking has become a job for trained professionals, who are paid considerable sums of money to do it on television and radio while we sit silently listening or, if we're truly lonely and determined, call the station and sit holding the phone waiting for a chance to contribute our two cents' worth.”

“I was playing heavy metal when I was 18. I had to evolve out of that into an alternative consciousness about what it meant to change the way I played guitar, and the kind of songs, and the subject matter, and singing about child abuse, and all this stuff. I had to come from somewhere, and I had to take chances to do that.”

“There is the morass, wherein you plunge up to your knees, or the walking over the stubborn, dwarfish shrubbery, whereby one treads down the forests of Labrador; and the unexpected bunting or sylvia which perchance, and indeed as if by chance alone, you now and then see flying before you, or hear singing from the ground creeping plant.”

“When I do interviews, sometimes I'll just be like "Why the hell did I say that?" because after I hang up the phone I realize there were so many things I could have said, but my brain just goes on lockdown. There's something about having conversations with people that's so much different from just singing and playing guitar. And I think a lot of people are actually performers because of that. I can't really explain why. It's like just the only chance you have in life to feel really good and outgoing.”

“I think I understand what bands want, just from having made records myself. I understand what it takes to get a good vocal sound, or to make people comfortable in the studio. From minor things like their headphone mix - and if a singer's singing, how they should hear themselves - to how to make people feel that they're getting exactly what they want. All those things, I think, are an advantage, especially the part about having done it myself. I'm not just an engineer who records the sounds well. I'm not afraid to take chances.”