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“And what you do is you go into where your anger is, if you're writing anger, you go into where your hatred is, if you're writing hatred. Your joy is, if you're writing joy. You find the source of the energy that draws hatred, anger, joy, etc., etc., etc. That's what you have to find. That's what you do as an actor and that's what you do as a writer. And you bring people to the page.”

“Well, good science fiction is intelligent. It asks big questions that are on people's minds. It's not impossible. It has some sort of root in the abstract. So automatically you're getting closer to potentially divine sources of interest because it is abstract. It's one of the only ways that a film actor can express himself in the abstract and have audiences still go along for the ride. They don't contend it. They accept it, that they're going to go places that are a bit more of the imagination, a bit more out there, and that's more and more where I like to dance.”

“Being singer is different than being an actor, where you call up sources from your own experience that you can apply to whatever Shakespeare drama you're in. But an actor is pretending to be somebody, a singer isn't. And that's the difference. Singers today have to sing songs where there's very little emotion involved. That and the fact that they have to sing hit records from years gone by doesn't leave a lot of room for any kind of intelligent creativity.”

“Twitter for me is a form of entertainment for the followers and it's also a source of information. I try to tweet things that I think might make people smile, or to share information that I want to get across, like an event like this that can inspire other people to get involved. I try to mix it up. I think that is a reflection of me - a family man, an actor, and a philanthropist.”

“But what I've also really liked about it is that it not only has Marvel set about... if they just were slavishly trying to bring the comic books to life, literally, I don't the movies would work, because it's different to see something on screen in three dimensions with actors, and they kind of, I believe, are constantly trying to find a way to absolutely respect the source material and at the same time, transform it into something that works and that you believe on screen.”

“Because [writers] Dan Weiss and David Benioff have done such a great job in adapting them, that's what we work with. It serves no purpose to anybody for actors to come onto a set with a well-thumbed copy of the source material and start querying why this or that line has been left out of the script. It's probably been left out for a good reason.”

“According to the management expert Peter F. Drucker, the term "entrepreneur" (from the French, meaning "one who takes into hand") was introduced two centuries ago by the French economist Jean-Baptiste Say to characterize a special economic actor-not someone who simply opens a business, but someone who "shifts economic resources out of an area of lower and into an area of higher productivity and greater yield." The twentieth-century growth economist Joseph A. Schumpeter characterized the entrepreneur as the source of the "creative destruction" necessary for major economic advances.”