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Graham Greene

Graham Greene Quotes

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“Oh,' the priest said, 'that's another thing altogether - God is love. I don't say the heart doesn't feel a taste of it, but what a taste. The smallest glass of love mixed with a pint pot of ditch-water. We wouldn't recognize that love. It might even look like hate. It would be enough to scare us - God's love. It set fire to a bush in the desert, didn't it, and smashed open graves and set the dead walking in the dark. Oh, a man like me would run a mile to get away if he felt that love around.”

“Always I find when I begin to write there is one character who obstinately will not come alive. There is nothing psychologically false about him, but he sticks, he has to be pushed around, words have to be found for him, all the technical skill I have acquired through laborious years has to be employed in making him appear alive to my readers { } He never does the unexpected thing, he never surprises me, he never takes charge. Every other character helps. He only hinders [ ]. And yet I cannot do without him. I can imagine a God feeling in just the same way about us. The saints, one would suppose, in a sense create themselves. They come alive. They are capable of the surprising act or word, they stand outside the plot, unconditioned by it. But we have to be pushed around. We have the obstinancy of nonexistence. We are inextricable bound to the plot, and wearily God forces us, here and there, according to his intention, characters without poetry, without free will, whose only importance is that somewhere, at some time, we help to furnish the scene in which a living character moves and speaks, providing perhapsthe saints with the opportunities for their free will.”

“But at the centre of his own faith there always stood the convincing mystery—that we were made in God's image. God was the parent, but He was also the policeman, the criminal, the priest, the maniac, and the judge. Something resembling God dangled from the gibbet or went into odd attitudes before bullets in a prison yard or contorted itself like a camel in the attitude of sex. He would sit in the confessional and hear the complicated dirty ingenuities which God's image had thought out, and God's image shook now, up and down on the mule's back, with the yellow teeth sticking out over the lower lip, and god's image did its despairing act of rebellion with Maria in the hut among the rats. He said, Do you feel better now? Not so cold, eh? Or so hot? and pressed his hand with a kind of driven tenderness upon the shoulders of God's image.”

“But at the centre of his own faith there always stood the convincing mystery--that they were made in God's image. God was the parent, but He was also the policeman, the criminal, the priest, the maniac, and the judge. Something resembling God dangled from the gibbet or went into odd attitudes before the bullets in a prison yard or contorted itself like a camel in the attitude of sex. He would sit in the confessional and hear the complicated dirty ingenuities which God's image had thought out...”

“What an absurd thing it was to expect happiness in a world so full of misery. He had cut down his own needs to a minimum, photographs were put away in drawers, the dead were put out of mind: a razor strop, a pair of rusty handcuffs for decoration: but one still has one's eyes, he thought, one's ears. Point me out the happy man and I will point you out either egotism, selfishness, evil or else an absolute ignorance. Outside the rest-house he stopped again. The lights inside would have given an extraordinary impression of peace if one hadn't known, just as the stars on this clear night gave also an impression of remoteness, security, freedom. If one knew, he wondered, the facts, would one have to feel pity even for the planets? if one reached what they called the heart of the matter?”

“They killed him because he was too innocent to live. He was young and ignorant and silly and he got involved. He had no more of a notion than any of you what the whole affair's about, and you gave him money and York Harding's books on the East and said, 'Go ahead. Win the East for democracy.' He never saw anything he hadn't heard in a lecture hall, and his writers and his lecturers made a fool of him.”

“He had opened the book at random several times, seeking a sortes Virgilianae, before he chose the sentences on which his code was to be based. 'You say: I am not free. But I have lifted my hand and let it fall.' It was as if in choosing that passage, he were transmitting a signal of defiance to both the services. The last word of the message, when it was decoded by Boris or another, would read 'goodbye.”

“For a moment he came near to sharing their incredible belief—it would do no harm to mutter a prayer of thanks to the God of his childhood, the God of the Common and the castle, that no ill had yet come to Sarah's child. Then a sonic boom scattered the words of the hymn and shook the old glass of the west window and rattled the crusader's helmet which hung on a pillar, and he was reminded again of the grown-up world. He went quickly out and bought the Sunday papers. The Sunday Express had a headline on the front page—"Child's Body Found in Wood.”