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Departure Quotes

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Departure Quotes

“Do not go to my grave. Mary knows, I am not there. Look for me in between pages and on people’s lips. Do not go to my old school. Do not go to my old house — I am not in any of those places. Look for me in your hearts and greet me there.”

“Are you Afraid of Sadness?" In an old interview with a famous and talented Iraqi actress, the interviewer asked her: “Why are you afraid of sadness?” The actress responded: “I am afraid of it because it quickly takes you to a place from which you can never return.” And exactly as she was answering, an insightful viewer could notice a sadness on her face indicating that the famous and talented actress herself wasn’t really present in the interview for sadness had long taken her with no return… [Original poem published in Arabic on November 19, 2023 at ahewar.org]”

“When it was time to board my flight, I took one last glance back. I knew that I had everything with me so it was not a "make sure I have everything" glance. It was more like a parting glance to Philadelphia, my home, America- for I would not be coming back for ten months. (Ch 5- Twenty in Paris)”

“Departure" Everyone wants to leave— those here long to be there, and many there ache to return here… There are some who’ve grasped that living is impossible neither here nor there— so they search, in vain, for alternatives. Few have come to understand that this impossibility of living stems not from geography, but from complicity. Most who stay or go never part ways with their surrender and quiet compliance— and so they recreate, everywhere they settle, the same conditions and reasons for departure. Few have realized that all places will remain unlivable as long as the urge to leave is born from a complicit, defeated self…”

“There is something sad about traveling, because as you discover the enormous amount of life and living that exist in all these places and hidden corners, you are left with two contradictory feelings: first, traveling strongly confirms the idea that one can only see what one is intellectually, spiritually, and physically prepared to see…Everything we encounter depends on our palate in the same way tasting food is that encounter between the food and the palate. Second, there is something excruciatingly painful about leaving a place as soon as you begin to feel at home. There is a deep sorrow in knowing that all the things, places, lakes, wildflowers, animals, and people that we encounter will continue their lives without us. Even more painful is the realization that there are many more lives and much more beauty that we will never get to experience." [From “Can We Travel Without Being Tourists?” published on CounterPunch on March 15, 2024]”

“Departure" Everyone wants to leave Those here want to go there, and many there are eager to return here… There are those who understood that living is not possible neither here nor there, so, you see them, in vain, searching for alternatives… Few have understood that the impossibility of living is a result of complicity not geography, that most of those who stay or depart never part ways with their complicity and tendency to surrender, thus, they recreate the circumstances and the causes of departure everywhere they go… Few have understood that all places will remain unlivable so long as the causes to depart are a result of a complicit and defeated Self… [Original poem published in Arabic on June 20, 2024 at ahewar.org]”

“My mother - Contained God itself A tarnished look of pain A hand clutching her heart A love we can not name A fog or a smoke An infinite thirst for life (But the wing is dead under the frost.) My mother - Is an uncertain form She gets lost when she walks And we sit in the valley And I shelter her to my love My mother Is a broken sky That exhales day and night Its beauty. My mother - Is the scent of a hundred roses And the suffering of so many things My mother Is no more than a dream - I suppose Of those who are said lips closed And behind her veil She sleeps - my mother - And her star Do not doubt anymore of its light.”

“The angels came to tell me what I could expect and how to get where I needed to go. I was reassured that I would not have to cross the Bridge alone. There were so many things I did not yet know. I could feel my mental clarity leaving. I fixed my gaze upon her. I watched her as I left. It was like shutting the door of a beloved home for the last time. Like closing up camp for the season. One last look at the ocean before you must leave it behind with hopes of return but with no guarantee. You eventually have to turn away and look the other direction so that you can see where it is you are going.”

“I have drunk the night and swallowed the stars. I am dancing with abandon and singing with rapture. There is not a thing I do not love. There is not a person I have not forgiven. I feel a universe of love. I feel a universe of light. Tonight, I am with old friends and we are returning home. The moon is our witness.”

“John Carmack, who has become interested in focusing on things other than game development at id, has resigned from the studio. John’s work on id Tech 5 and the technology for the current development work at id is complete, and his departure will not affect any current projects. We are fortunate to have a brilliant group of programmers at id who worked with John and will carry on id’s tradition of making great games with cutting-edge technology. As colleagues of John for many years, we wish him well.”

“The Old Testament contains in many places, but especially in the book of Job, one of the most far-reaching defenses ever written of wilderness, of nature free from the hand of man. The argument gets at the heart of what the loss of nature will mean to us....God seems to be insisting that we are not the center of the universe, that he is quite happy if it rains where there are no people - that God is quite happy with places where there are no people, a radical departure from our most ingrained notions.”

“I have a two-year-old who just turned three, and my four-year-old just turned five. I have the same irrational feelings taking them to pre-school. It's this charged combination of stress and joy and anxiety and excitement. When they're away, you've got a sudden loss of purpose and this ever-present fear about the kid's welfare. The departure of our children from our nest is not an easy thing.”

“Writing books isn't a drastic departure from writing for the stage. I've always written in the long format, five, eight, 10-minute pieces rather than one-liners, so since writing books, the process hasn't changed much. A piece in my live routine can end up as part of one of my HBO specials, and it can also end up in one of the books.”