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“The Revolutionary's Utopia, which in appearance represents a complete break with the past, is always modeled on some image of the Lost Paradise, of a legendary Golden Age... All utopias are fed from the source of mythology; the social engineers' blueprints are merely revised editions of the ancient text.”

“Pain and pleasure, good and evil, come to us from unexpected sources. It is not there where we have gathered up our brightest hopes, that the dawn of happiness breaks. It is not there where we have glanced our eye with affright, that we find the deadliest gloom. What should this teach us? To bow to the great and only Source of light, and live humbly and with confiding resignation.”

“To subvert the tyranny of our execrable government, to break the connection with England, the never-failing source of all our political evils and to assert the independence of my country- these were my objectives. To unite the whole people of Ireland, to abolish the memory of all past dissensions, and to substitute the common name of Irishman in place of the denominations of Protestant, Catholic and Dissenter - these were my means.”

“The serious reader in the age of technology is a rebel by definition: a protester without a placard, a Luddite without hammer or bludgeon. She reads on planes to picket the antiseptic nature of modern travel, on commuter trains to insist on individualism in the midst of the herd, in hotel rooms to boycott the circumstances that separate her from her usual sources of comfort and stimulation, during office breaks to escape from the banal conversation of office mates, and at home to revolt against the pervasive and mind-deadening irrelevance of television.”

“Science fiction - and the correct shortcut is 'sf' - uses actual scientific facts or theories for the source ideas or framework of the story. It has some scientific content, however speculative. If it breaks a law of physics, it knows it's doing so and follows up the consequences. If it invents a society of aliens, it does so with some respect for and knowledge of the social sciences and what you might call social probabilities. And some of it is literarily self-aware enough to treat its metaphors as metaphors.”