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Stones Quotes

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Stones Quotes

“See thou, whatsoever be thy name -- whether Fate, Life, or Devil! I cast thee down my gauntlet, I challenge thee to battle! Men of faint heart may bow before thy mysterious power, thy face of stone may inspire them with dread, in thy unbroken silence they may discern the birth of calamity and an impending avalanche of woe. But I am daring and strong, and I challenge thee to battle! Let us draw our swords, and join our bucklers, and rain such blows upon each other's crests as shall cause the very earth to shake again! Ha! Come forth and fight with me!”

“Not only is the day waning, but the year. The low sun is fiery and yet cold behind the monastery ruin, and the Virginia creeper on the Cathedral wall has showered half its deep-red leaves down on the pavement. There has been rain this afternoon, and a wintry shudder goes among the little pools on the cracked, uneven flag-stones, and through the giant elm-trees as they shed a gust of tears.”

“At noon, you walk across a river. It is dry, with not this much water: it is just stones and pebbles. But it rains cats and dogs in the mountains, and towards afternoon, the water descends wildly and she ravages all in its path, the madwoman. That is how death comes. Without our expecting it, and we cannot do a thing against it, brothers.”

“Let firm, well hammer'd soles protect thy feet Through freezing snows, and rains, and soaking sleet; Should the big last extend the shoe too wide, Each stone will wrench the unwary step aside; The sudden turn may stretch the swelling vein, The cracking joint unhinge, or ankle sprain; And when too short the modish shoes are worn, You'll judge the seasons by your shooting corn.”

“One of the things I did during my 17 years as a psychiatric social worker was go around and find people with mental crutches, and every time I found one, I kicked those goddamn crutches until they flew. You know what happened? Every single one of those people has been able to walk without the crutches better, in fact. Were they giving up anything intrinsically valuable? Just their irrational reliance upon superstitions and supernatural nonsense. Perhaps this sort of claptrap was good for the Stone Age, when people actually believed that if they prayed for rain they would get it.”

“Be wild; that is how to clear the river. The river does not flow in polluted, we manage that. The river does not dry up, we block it. If we want to allow it its freedom, we have to allow our ideational lives to be let loose, to stream, letting anything come, initially censoring nothing. That is creative life. It is made up of divine paradox. To create one must be willing to be stone stupid, to sit upon a throne on top of a jackass and spill rubies from one’s mouth. Then the river will flow, then we can stand in the stream of it raining down.”

“The line-storm clouds fly tattered and swift, The road is forlorn all day, Where a myriad snowy quartz stones lift, And the hoof-prints vanish away. The roadside flowers, too wet for the bee, Expend their bloom in vain. Come over the hills and far with me, And be my love in the rain.”

“I’m erased. I’m gone. I’m nothing. And then the world is free to flow into me like water into an empty bowl…. And… I see. I hear. But not with eyes and ears. I’m not outside my world anymore, and I’m not really inside it either. The thing is, there’s no difference between me and the universe. The boundary is gone. I am it and it is me. I am a stone, a cactus thorn. I am rain. I like that most of all, being rain.”

“He lost his Self a thousand times and for days on end he dwelt in non-being. But although the paths took him away from Self, in the end they always led back to it. Although Siddhartha fled from the Self a thousand times, dwelt in nothing, dwelt in animal and stone, the return was inevitable; the hour was inevitable when he would again find himself in sunshine or in moonlight, in shadow or in rain, and was again Self and Siddhartha, again felt the torment of the onerous life cycle.”

“There was movement along the fringe of Chauncey's vision, and he snapped his head to the left. At first glance what appeared to be a large angel topping a nearby monument rose to full height. Neither stone nor marble, the boy had arms and legs. His torso was naked, his feet were bare, and peasant trousers hung low on his waist. He hopped down from the monument, the ends of his hair dripping rain. It slid down his face, which was dark as a Spaniard's.”

“Couldn't the wrong sort of living turn anyone mean? I remembered very well that one day back in Yoroido, a boy pushed me into a thorn bush near the pond. By the time I clawed my way out I was mad enough to bite through wood. If a few minutes of suffering could make me so angry, what would years of it do? Even stone can be worn down with enough rain.”

“At Blackwater Pond the tossed waters have settled after a night of rain. I dip my cupped hands. I drink a long time. It tastes like stone, leaves, fire. It falls cold into my body, waking the bones. I hear them deep inside me, whispering oh what is that beautiful thing that just happened?”

“I would rediscover the secret of great communications and great combustions. I would say storm. I would say river. I would say tornado. I would say leaf. I would say tree. I would be drenched by all rains, moistened by all dews. I would roll like frenetic blood on the slow current of the eye of words turned into mad horses into fresh children into clots into curfew into vestiges of temples into precious stones remote enough to discourage miners. Whoever would not understand me would not understand any better the roaring of a tiger.”

“Winds flap the sail, tortoise and snake are silent, a great plan looms. A bridge will fly over this moat dug by heaven and be a road from north to south. We will make a stone wall against the upper river to the west and hold back steamy clouds and rain of Wu peaks. Over tall chasms will be a calm lake, and if the goddess of these mountains is not dead she will marvel at the changed world.”

“It is the omnipresent rush of water which give the Este Gardens their peculiar character. From the Anio, drawn up the hillside at incalculable cost and labour, a thousand rills gush downward, terrace by terrace, channeling the stone rails of the balusters, leaping from step to step, dripping into mossy conches, flashing in spray from the horns of sea-gods and the jaws of mythical monsters, or forcing themselves in irrepressible overflow down the ivy-matted banks.”