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“I rolled my eyes in aggravation and glared at the ceiling, hating what I had to confess. Lend knew how much it affected me, taking souls, and I always felt guilty and dirty, like he was judging me even though he tried not to. The faerie came after me when Reth was down and I sucked out some of her soul.Good.I-Good?Yes. Good.I shuddered. You don't have the creepy, ice thing in you. It's not good.You here, safe and alive? Good.I smiled sadly and knocked on the wall three times. I-knock-love-knock-you-knock.He knocked three times back.”

“There isn't a single government agency that can't function. There's more money in this federal government, there's more money allocated than these people can possibly spend. They have to concoct asinine ways to spend it, like advertising for new food stamp users. I've gotten to the point, I'm just so righteously indignant and offended at the very idea that our government could ever run out of money when we've got a printing press, for crying out loud. Printed three and a half trillion dollars over seven years and flooded Wall Street with it.”

“We will have to choose not between color nor race nor religion nor between East and West either, but simply between being slaves and being free. And we will have to choose completely and for good; the time is already past now when we can choose a little of each, a little of both. We can choose a state of slavedom, and if we are powerful enough to be among the top two or three or ten, we can have a certain amount of license - until someone more powerful rises and has us machine-gunned against a cellar wall.”

“Imaginary evils soon become real ones by indulging our reflections on them; as he who in a melancholy fancy sees something like a face on the wall or the wainscot can, by two or three touches with a lead pencil, make it look visible, and agreeing with what he fancied.”

“The problem I've always discovered in my own work when this kind of thing happens when you hit the wall is there's almost always a reason. You've almost always made a mistake in the initial conception of the project. You misapprehended something or you thought something would work and now you're three quarters on the way through and you see that it doesn't work.”

“Once we actually have the production script after many rewrites, at that point is when I start to decide what the look and colors will be. I work like a painter, even though I'm working in three dimensions. I'm working with chairs. I'm working with walls. But even things like the floor or the walls that people might think are not important, they actually do influence the visual look of the film. These are also things that I have to think about.”