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“I've always been fascinated by Picasso and how he would look at a single image through multiple perspectives and from separate moments in time. He would look at a woman's face and he would see almost a three-dimensional look even though it was a flat canvas. I thought, well why couldn't we do the same thing with a football play?”

“Thank God for that. You can shut them, say, 'Hold on a moment.' You play God to it. But who has ever torn himself from the claw that encloses you when you drop a seed in a TV parlour? It grows you any shape it wishes! It is an environment as real as the world. It becomes and is the truth. Books can be beaten down with reason. But with all my knowledge and scepticism, I have never been able to argue with a one-hundred-piece symphony orchestra, full colour, three dimensions, and I being in and part of those incredible parlours.”

“Simply to have all the necessities of life and three meals a day will not bring happiness. Happiness is hidden in the unnecessary and in those impractical things that bring delight to the inner person. . . . When we lack proper time for the simple pleasures of life, for the enjoyment of eating, drinking, playing, creating, visiting friends, and watching children at play, then we have missed the purpose of life. Not on bread alone do we live but on all these human and heart-hungry luxuries.”

“The qualifying system helps the top guys like Sergio Garcia, who play most of their golf in the U.S. They can rely on the world rankings and just play their four extra events [with the four majors and three World Golf Championship events counting as seven European events]. But for the other guys it's tough, and I don't know if that can be changed. It is a tricky situation.”

“I did some professional radio acting as a teenager, and I essentially put myself through college with radio acting in Montreal. When I graduated, I got jobs in professional theatres, repertory, and stock theatres in Canada for a couple of years. And then I went to Stratford, Ontario, where I spent three years with a Shakespeare company. We took a classical play from Stratford to New York City, and I got some good notices there and essentially stayed and did live television. And that brings you to the beginning of filming.”

“Other than his ex-wife and despite appearances with a series of cultivated blondes, Edward de Bono has never publicly aligned himself with a woman. 'I’m looking for a fat, cross-eyed hunchback,' he explains, stifling a giggle. 'A prosthetic hump would do.' His delight evaporates when asked about his three grandchildren. 'Am I a doting grandfather?' He pauses. 'I’m a … something grandfather, yes.' The fact that De Bono remains unperturbed by this lack betrays an emotionally austere childhood, and his passions for play, toys, and bad jokes tell of the same deprivation.”

“I used to play Barbies with my Mormon neighbor friend; it was always, "Oh, we're going to go on a date. Ken's taking us out, and we're going with Ken on a date." And I was like, "We're parachuting behind enemy lines to save the Jews." That's how I played Barbies. I was told when I was a girl that every Jewish woman has to have five children to replace three fifths of our people that were killed. That's how I was raised.”

“For inspiration I look to those great players who consistently found original ways to shock their opponents. None did this better than the eighth world champion, Mikhail Tal. The "Magician of Riga" rose to become champion in 1960 at age twenty-three and became famous for his aggressive, volatile play.”

“I've been involved with Fantasy Football for more than 10 years now, and I'll keep competing each year as long as I'm still having fun. I like to play sports, and I like to compete, but I also have a wife and three daughters. This lets me stay involved with the sport I love and still spend quality time with my family too.”

“The curve and the fast one are important; the change of pace and the other trick deliveries are great but they're not worth a plugged nickel unless you have control to go along with them. And by control I don't mean the ability to put the ball over the plate somewhere between the shoulders and knees. I mean the ability to hit a three-inch target nine times out of ten, the sort of control that lets you put the ball in the exact spot you want it, and to play a corner to the split fraction of an inch.”

“If you let anything infringe on your writing time, it will. And you won't get the writing done. Taking one day off can cost me five days of getting back in the mood. Going out to lunch can cost me anywhere from five hours to three days. And for me it's not worth it. For my own sense of well-being I have to finish my work before I can play.”

“Before I decided to concentrate on writing, I drew pictures and painted, and made Super 8 experimental movies. I was the singer in three rock bands, and I wrote and staged and acted in plays for kids in my neighborhood. So I was kind of all over the place in my interests and far-flung in terms of where my creativity wanted to end up.”

“In my dreams is a country where the State is the Church and the Church the people: three in one and one in three. It is a commonwealth in which work is play and play is life: three in one and one in three. It is a temple in which the priest is the worshiper and the worshiper the worshipped: three in one and one in three. It is a godhead in which all life is human and all humanity divine: three in one and one in three.”

“My mother saved our home with a minimum wage job. But in the 1960s, a minimum wage job would support a family of three above the poverty line. Not today. Not even close. I understood right then that people can work hard, they can play by the rules, and they can still take a hard smack.”

“In 1600 the specialization of games and pastimes did not extend beyond infancy; after the age of three or four it decreased and disappeared. From then on the child played the same games as the adult, either with other children or with adults. . . . Conversely, adults used to play games which today only children play.”