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“For me, the best characters are the ones that feel fully formed inside and out, so I try to have a very clear vision of exactly what they would wear, top to bottom, who they are, what their backstory is, what their family situation is, who are their friends, just creating as much of a three-dimensional character [as possible]. Because I think you could do a very broad character, but as long as there's some emotional truth to them you can get away with really crazy things.”

“I'm often asked, Which is more important--attitude or skill? The answer is that it's somewhat like asking which leg of a three-legged stool is most important. It is my complete conviction, based on a considerable amount of research, that if you have the right attitude, combined with the right skills, and build your attitude and your skills on a solid character base, you can enjoy long-lasting success.”

“The [travel] writer, looking back at the journey from a distance of a year or two (or three), is a different character from the hapless character who undertook the trip: wise after the event, with the leisure to tease out meanings from the experience that the distracted traveler never had, and often impatient with his alter ego's blinkered and unsatisfactory version of things.”

“There's that lovely thing for the first month or two of writing a new book: OK, I don't know what that character's going to do, but we'll find out later. After about three or four months you come to that bit where you've got to put some plot in before it's too late, and you have to go back and start inserting plot, and, ooh, I've left out the literature, OK, lets put some in.”

“It's much harder to say "I'm going to kill three of the biggest characters in your universe in a gruesome bloodbath." There can be a lot of differing opinions in a mainstream comic book, you know? "Rogue would never do this!" But I can say, "No, Rogue suffered the death of Charles Xavier and it broke her down and she stumbled into a dark place and she started fixating on the Scarlet Witch as the cause of it all" — which, there is a logical chain of events that lead to the Scarlet Witch. And in the confusion, she thought Wanda was up to doing it again and she did what she thought was best.”

“Aristotle writes that persuasion is based on three things: the ethos, or personal character of the speaker; the pathos, or getting the audience into the right kind of emotional receptivity; and the logos, or the argument itself, carried out by abbreviated syllogisms, or something like deductive syllogisms, and by the use of example.”

“The elements which determine the make of any particular sermon are three; the preacher, the material, and the audience; just as the character of any battle is determined by three elements; the gun (including the gunner), the ammunition, and the fortress against which the attack is made.”

“I want here to make three suggestions: first, that the doubts the ordinary man feels about religion are justified, and need not be stifled or concealed; second, that there is no ground for the view that Christianity is the only alternative to communism, or that there can be no sound character training that is not based on religion; and, third, I want to make some practical suggestions to the parents who are not believers, on what they should tell the children about God, and what sort of moral training they should give them.”

“There are, then, these three means of effecting persuasion. The man who is to be in command of them must, it is clear, be able (1) to reason logically, (2) to understand human character and goodness in their various forms, and (3) to understand the emotions--that is, to name them and describe them, to know their causes and the way in which they are excited.”

“How wonderfully beautiful is the delineation of the characters of the three patriarchs in Genesis! To be sure if ever man could, without impropriety, be called, or supposed to be, "the friend of God," Abraham was that man. We are not surprised that Abimelech and Ephron seem to reverence him so profoundly. He was peaceful, because of his conscious relation to God.”

“Rebels and dissidents challenge the complacent belief in a just world, and, as the theory would predict, they are usually denigrated for their efforts. While they are alive, they may be called 'cantankerous,' 'crazy,' 'hysterical,' 'uppity,' or 'duped.' Dead, some of them become saints and heroes, the sterling characters of history. It's a matter of proportion. One angry rebel is crazy, three is a conspiracy, 50 is a movement.”

“Choosing a director is like choosing a therapist - you want somebody who is going to be a step or two ahead of you, who can interpret and articulate your intentions better than you can, with the benefit of objectivity. I look for a collaborator who is going to help bring to life, on stage, in three dimensions, what is on the page. I wouldn't want a director who imposes conceits or distrusts the text or who has prejudged the characters.”

“The character of Jesus has not only been the highest pattern of virtue, but the strongest incentive in its practice, and has exerted so deep an influence, that it may be truly said that the simple record of three years of active life has done more to regenerate and to soften mankind than all the disquisitions of philosophers and all the exhortations of moralists.”

“My father had been in the military and he was a weapons specialist, so he had an affinity for weapons but also for the discipline of it. He taught us how to shoot when we were young. He opened up karate schools in the worst parts of the city, on purpose, and then he would systematically clean out a three-block radius, all of the gang-bangers and drug dealers and everybody of nefarious character.”

“The flimsy little protestations that mark the front gate of every novel, the solemn statements that any resemblance to real persons living or dead is entirely coincidental, are fraudulent every time. A writer has no other material to make his people from than the people of his experience ... The only thing the writer can do is to recombine parts, suppress some characterisitics and emphasize others, put two or three people into one fictional character, and pray the real-life prototypes won't sue.”

“You have to do three things really well to make a successful film. You have to tell a compelling story that has a story that is unpredictable, that keeps people on the edge of their seat where they can't wait to see what happens next. You then populate that story with really memorable and appealing characters. And then, you put that story and those characters in a believable world, not realistic but believable for the story that you're telling.”

“Eve Byron has a permanent place on my must-buy list. Her characters are three-dimensional men and women who live on in readers' hearts long after they've turned the last page. ONLY IN MY DREAMS is pure Eve Byron, which means it's a pure delight. I fell in love with Lorelei and Dane, two of the most delightful characters I've encountered in a very long time. Byron's magical touch never falters. ONLY IN MY DREAMS is a surefire hit!”