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“Were a stranger to drop on a sudden into this world, I would show him, as a specimen of its ills, a hospital full of diseases, a prison crowded with malefactors and debtors, a field of battle strewed with carcasses, a fleet foundering in the ocean, a nation languishing under tyranny, famine, or pestilence. To turn the gay side of life to him, and give him a notion of its pleasures; whither should I conduct him? to a ball, to an opera, to court? He might justly think, that I was only showing him a diversity of distress and sorrow.”

“Welcome baby it's your turn to live they're laying for you chicken pox whooping cough smallpox malaria TB heart disease cancer and so on unemployment hunger and so on train wrecks bus accidents plane crashes on-the-job injuries earthquakes floods droughts and so on heartbreak alcoholism and so on nightsticks prisons doors and so on they're laying for you the atom bomb and so on welcome baby it's your turn to live they're laying for you socialism communism and so on.”

“Mexico has many more kidnappings than the United States. The U.S. has very few kidnappings.The reason is, in the United States, we don't pay ransom. We turn it over to the FBI. They catch the person. And then, of course, we used to have the death penalty for it. Now it's life in prison. In Mexico, everybody pays. It's a business.”

“It might be hard to believe, but the air in prison is different. There's like one thousand people sucking on the one little piece of fresh air until it turns stale.”

“All this [Soviet labor camp for political prisoners] brings about one marked change in your physical appearance; by the end of your first year, you will have what are known as 'zek's eyes.' The look in a zek's eyes is impossible to describe, but once encountered, it is never forgotten. When you emerge, your friends, embracing you, will exclaim: 'Your eyes! Your eyes have changed!' And not one of your tormentors will be able to bear your scrutiny. They will turn away from it, like beaten dogs.”

“Two aesthetics exist: the passive aesthetic of mirrors and the active aesthetic of prisms. Guided by the former, art turns into a copy of the environment's objectivity or the individual's psychic history. Guided by the latter, art is redeemed, makes the world into its instrument, and forges, beyond spatial and temporal prisons, a personal vision.”